Browse Items (61 total)

  • Printing location is exactly "Covers printed in the U.S.A"

Libido beach

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Strange nurse

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Trio

Trio front cover. The cover illustration is centered under the book title forming a black stripe on a white background. A blond woman wearing a lowcut black blouse is at the forefront of the image. She is looking directly at the reader. Behind her are the partially visible images of a dark-haired woman and a man, facing opposite directions gazing downward. The woman is wearing red straps with her arms and back exposed. The man is in shadows.

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Strange delights

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Strangest marriage (The)

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Delicate vice (The)

The Delicate Vice front cover. The scene is an urban scene at night. Two women, one brunette and one blonde, stand to the left of the image. The blonde has her back towards the reader at a three-quarter angle to the left and is wearing a yellow dress, adjusted to her waist and with a slit at the right to mid-thigh. She is wearing white, low heels and is leaning against a cast-iron lighting pole to her left. She holds a cigarette in her right hand, arms stretched downwards. Her hair curls upwards over her ears. The brunette is standing to her left, facing the reader. She is wearing a purple blouse with short sleeves and a V-neck, and slim-fit black pants to her ankles, with black, flat shoes. Her hair is short and her legs are parted, left hand's thumb tucked inside her pants' pocket. She looks down at the blonde's chest. Behind the women, a street with buildings with neon lights is seen. Light comes out of doorways and windows, and the women are lit by light from the street lamp above their heads, casting their shadows on the ground below them.
Allison is torn between her love for Lydia and settling down with Cal.

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Unnatural

Unnatural front cover. Towards the bottom right of the image, a blonde with hair to her shoulders stands, seen from her chest up. She stands at a three-quarter angle facing right of the reader, and her head is slightly tilted in the same direction. Her right hand is raised to her chest level, holding a lit cigarette. She is wearing a strapless white dress that shows her cleavage, and a layered necklace with gems and stones. Her eyes are half-closed and look towards her right, and she is smiling slightly. Behind her in the background, the figure of another woman, a brunette, can be seen standing naked, in the process of removing a white blouse which is already over her head. She stands next to what looks like a closet with red doors. Her back is lit by hard light coming from the top left of the image. Below the cover art, there is a yellow stripe with a brief description of the novel.
Allison is torn between her love for Lydia and settling down with Cal.

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Queer patterns

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Other side of desire (The)

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Gay interlude

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Roommates (The)

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Damned one (The)

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Gay scene

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In the shadows

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Third street (The)

The Third Street front cover. The cover shows a night scene, outdoors in a city or town street. Two women, their backs to the reader, walk holding hands. The one on the left is a blonde with hair flipped outwards at her shoulders. She is wearing a yellow, sleeveless dress with an adjusted waist, and black, high heels. She carries a clutch-type black handbag in her left hand and her head is turned sharply to her right, looking straight out at the other woman, a brunette with short hair who is wearing a black blouse with long sleeves, brown pants tapered at the ankles, and black low heels. Her right arm is extended downwards. The street looks wet and there are buildings, some neon signs and a lamp post in the background. The scene is lit from the top right.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Whisper of love

Whisper of Love front cover. The cover has a bluish-green background with a smaller rectangle to the bottom right, which contains an image of two women—a blonde with long hair and a brunette with short hair. The blonde is in the foreground and only her head and part of her left arm are visible. She is wearing a purple blouse with a round neckline and pleated, short sleeves. Her body is at a three-quarter angle facing left of the reader, and her head is turned to her left and down, as well as her eyes. Her left arm is bent and part of her hand is visible, lifted to her neck, which carries a necklace. The brunette is behind her, to the right of the reader, and is wearing a white blouse with buttons and a collar, and black pants or skirt with a black belt with a brass, square buckle. Her head is bowed and turned to her left, eyes looking down. Her left hand is on the blonde's left shoulder. The scene is lit from the top-right, in diffused light.
A marriage of convenience between Avery Lawes and Lisa Sheridan fails to offer the refuge they hoped it would.

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My sister, my love

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Unashamed (The)

The Unashamed front cover. The torsos of two women cover most of the space. One, a blonde with long, curly hair and bangs across her forehead, is to the right of the reader, sitting with her torso and her head leaned slightly to her right and forward, looking down with a slight smile and dressed in a white negligee. On her lap, a brunette with short hair leans over her head and right arm, her hand on the blonde's lap, which is covered in pink from the background. She is wearing a black negligee and her face is oriented toward the reader, turned up slightly towards her right and looking up with half-closed eyes. The scene is lit in diffused light that comes from the right.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Strange friends

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A Danish love story

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Painted veils

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Bit of fluff (A)

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Different

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Illicit interlude

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Labor of love (A)

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Lap of luxury

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Operation sex

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Perfume and pain

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Divided path (The)

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Flesh is willing (The)

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Whispered sex (The)

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Los Angeles was nothing like what Joyce expected it to be.

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Pretty puppet

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House of sin: An original novel

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Price of salt (The)

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Women without men

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Journalistic treatment of lesbian subcultures in France.

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Voyage from Lesbos: the psychology of a female homosexual

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Baby face

Baby Face front cover. The image is divided into two fields. The upper field shows black and blue text over a solid pink background. The bottom half of the cover contains the illustration of an indoors scene. One woman, a blonde, sits up against a pillow propped on the pink headboard of a bed that has pink sheets and pillowcase, and an orange blanket. The blonde's hair is combed up, with a lock falling over her right shoulder. Her head is bowed forward and her eyes are directed towards the reader, and she has a slight smile. She is wearing a white negligee, left strap down and right strap hanging over her arm. Her left leg is bent at the knee and sprawled open. She touches the blanket with her left hand and her face with her right hand. At the foot of a bed, a brunette with long hair sits, legs crossed. She too is wearing a white negligee and has her arms crossed over her knees. Her left hand lays rested over her thigh, palm-up. With her right hand, she holds up a hand mirror to her left. Her head is turned to her left but her eyes gaze directly towards the reader, with half-shut eyes and a slight smile on her lips. Behind them on the wall, a mirror can be partially seen, and a dresser. The wall has purple and pink wallpaper on it. The scene is lit from the front-left.

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Chris

Chris front cover. The face of a blond woman with head leaned back looking directly toward the reader and bathed in a red light dominates the image on all the edges, as a background. Her mouth is in rest and her eyes are half-closed. To the bottom right, and partially covering the blonde's face, another figure of a blonde is seen, with her back to the reader. She has long, wavy hair, bangs hanging over her eyebrows. Her body is twisted to the front and left, and her head hangs down to the left, equally turned and with eye closed. Her arms are crossed across her chest, both hands clasped to the other arm. She wears a black skirt that is unzipped at the back and her entire back is bare. The scene is lit from the front-left.
Chris faces a difficult choice between her relationship with Shelia "Dizz" Dizendorf and the hope of happiness with Carol Martin

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Sex in the shadows

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Soft sin (The)

The Soft Sin front cover. Towards the bottom right of the image, a brunette faces the reader, visible from the chest up. Her hair is curly and apparently tied to the back in a pony tail, bangs across her forehead. She is wearing a long-sleeved white blouse, unbuttoned, revealing part of her breasts and her neck. She looks straight at the reader with half-closed eyes and lips slightly parted. Behind her is a pink couch facing the reader. On it lays a blonde with her back to the reader, head toward the left. Her hair seems to be in disarray. Her left arm hangs over the edge of the couch, hand rested on a black tiled floor, palm-up. She is wearing a light blue dress and a bracelet on her left wrist. The scene is lit from the front.

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Death of anger

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So strange a love

So Strange a Love front cover. The busts of two women take up most of the visual space. One of them, a redhead, is on the right of the image and in the foreground, in profile, facing left of the reader and looking toward the same direction. Her hair is up on a bun to the left of her head, and she looks forward with wide open, blue eyes, lips slightly parted. Her torso is naked, and she is wearing an earring. Beside her, on her right and facing the reader, stands a brunette, partially covered by the redhead. Her wavy, loose hair flips over her shoulders, and she is looking at the redhead with half-open eyes. Her torso, too, is naked. The background is purplish blue, and the scene is lit from the front-left.
'A strange story of a married couple, each enmeshed in an illicit affair with a younger woman, and the erotic love the two younger women found in one another.'

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Corruption of innocence (The)

The Corruption of Innocence front cover. A redhead is sitting on a black leather executive chair in the center of the image. Her hair is long and loose, and she has bangs above her eyebrows. She is sitting on her left leg, which folds fully under her body and towards her right. Her right leg is above it, folded in the same direction; the top of her bare foot can be seen facing the reader. She is is slightly leaned over, placing her weight on her extended left arm and her hand, which is supported on the seat of the chair. Her right arm is bent at the elbow and her palm faces her, to the side of her face and in her hair. She looks straight at the reader with her head tilted forward and to her right, her eyes open, and a smile on her lips. She is wearing a white brassiere whose left strap hangs over her elbow, and what appears to be a white slip pulled up to reveal her thighs, knees, and right calf. The seat looks to be close to the floor. There is light on her, coming from the left of the reader, and it is also seen reflected behind her. Everything else is dark and merging with a black background.

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This bed we made

This Bed We Made front cover. Two women and one man are in a bedroom. A brunette with short, curly hair and a black negligee, lays on her back on a bed with a pink blanket, her shoulders and head on a propped-up pillow, looking slightly toward the right of the image with a slight smile and half-closed eyes. Behind the pillow, a wrought brass headboard is partly in view. Her left arm is bent at the elbow; hand curled inwards. She holds a cigarette in her right hand; outer side rested on her right thigh. She also wears stockings to the middle of her thighs. Sitting up on the bed by the brunette's legs is a blonde. Her body is at a three-quarter angle facing right of the image, and she appears to be fully naked except for a nylon, light blue shawl which is wrapped around her hips and across her chest, covering her breasts. She holds the shawl with both arms crossed in front of her under her breasts and on her right hip. Her hair is tied in a ponytail with a light green bow, and her head is turned towards the brunette. In the background to the left, a man stands against the wall. He has short, brown hair parted to the side, and is wearing a dark blue t-shirt and gray pants with a black belt. His right hand is on his waist; the left arm stretched down across his side. He also looks down toward the brunette, with a slight smile on his lips. To his left, a bowl with fruits can be seen on a bedside table. The background matches the pink of the bed spread, and the scene seems to be lit from the right of the reader.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Lesbian in our society (The)

The Lesbian in Our Society front cover. A blond woman leans over to her left, her back to the reader at a three-quarter angle, at the left of the image and occupying most of the visual space. She is fully naked and is visible from her head to her calves. The book's title type covers her buttocks partially. Her legs seem to be together, and the back of her right arm is only partially visible, tucked in front of her hips. Her head is turned sharply to the right, and she looks over her right shoulder at something behind her, at a lower level. Her hair is tied at the back and is straight. Her expression is serene, yet ambiguous.
Erotica compiled as psychiatric case studies

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Return to Lesbos

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Unlike others

Unlike Others front cover. A brunette lays back on a black couch, holding a cigarette in her right hand. Her head is upright towards the left of the image, and her right arm is bent at the elbow, rested on the armrest of the couch. Her left arm stretches over her body, and her left leg is bent at the knee. Her hair is straight and reaches her nape at the back, with bangs that reach her eyebrows. She is wearing a light blue blouse with buttons on the front and cuffs, and blue slacks folded at the hem. She seems to be barefoot. Her face is at a three-quarter angle toward the right of the reader, and her eyes are directed at a blonde who sits on a golden-yellow cushion on a carpeted floor, leaned against the couch. The blonde's right arm is stretched over the seat of the couch, her hand hanging, palm-down and relaxed, from the edge. Her left elbow rests on the edge as well, hand hanging relaxed and towards the reader, and wearing a bracelet. her legs are partially crossed and she is barefoot. She is wearing a V-neck white sweater with long sleeves and adjusted to her waist, and pink slacks folded up at the hem. Her head and eyes are directed towards the back and her right as she looks directly into the brunette's eyes with a relaxed expression. Her hair is straight and flips up above her shoulder. To the left of the image, a black, plastic ashtray sits on the ground. A potted plant can be seen on the ground, behind the brunette's head. The scene is lit from the top right.
Jo is recovering from a broken heart but finds it hard to resist her new co-worker Betsy

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Private party

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Golden cage (The)

The Golden Cage Front cover. A single nude woman, seemingly sitting over her bent knees, in profile, is looking away from the reader. She has her right arm raised, palm up and relaxed. Her left side is seen, almost centred in the space, beneath what appear to be tall grasses bordering a body of water, such as a lake. Her eyes are closed, her nose touching her raised arm. Her hair seems to be tied up in a bun behind her head. Her left arm is stretched downwards behind her. There are yellow lines and dots of many colours drawn next to the book title, which is in the right of the image. A double-exposure makes part of the image look faded. The scene is lit from the left.

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Women's barracks

Women's Barracks front cover. A blonde, seemingly sitting down, is shown, from the top of her back upwards, at a three-quarter angle and in profile, showing her right shoulder and part of her right arm and the top of her back. Her hair is tied up with a hair clip at the top of her head and flows down to her nape. A strap of her brassiere is visible over her right shoulder. Her head, turned to her right, partially faces the reader. Her eyes are looking down toward her right. What seems to be a khaki military garment is partially shown, wrinkled, behind her back. Behind the blonde, to the left of the image, stands a brunette in profile, also at a three-quarter angle towards the back of the image, facing left. She has on a khaki military shirt that partially hangs, disclosing her shoulders and the top of her back, and exposing the strap of her brassiere on her left side. She seems to be wearing a khaki skirt. Her hair is up and she holds a cigarette in her left hand, which she stares at. The scene is lit from the top left.
Women's Barracks by Tereska Torrės is credited as the first of the mid-century pulp paperbacks to feature a lesbian-themed cover and contain passages describing physical intimacy between two women.

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Third way (The)

The Third Way front cover. A blonde is shown in profile at the center of the image, sitting on the edge of a bed or arm-less couch. The right side of her body faces the reader. Her right knee is bent, foot hanging at the heel from the edge of the bed. She holds a light-blue towel against her naked body, hiding part of her breast, stomach and thigh. Her face is directed toward the reader, but her eyes look to her right, away from the reader. In the background, to the left of the image, stands a brunette with short hair, dressed in a tight, green dress with straps and a V-neck. The dress is knee-high and has a slit over her left thigh. She has her right hand on her hip and puffs from a cigarette held in her left hand, looking straight at the blonde, almost frowning. She is wearing high heels and earrings. The background only shows watery brushstrokes in green and yellow, and the scene is lit from the front left.

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