Browse Items (32 total)

  • Protagonist's Status at the End is exactly "The story does not end with a lesbian relationship"

Delicate vice (The)

The Delicate Vice front cover. The scene is an urban scene at night. Two women, one brunette and one blonde, stand to the left of the image. The blonde has her back towards the reader at a three-quarter angle to the left and is wearing a yellow dress, adjusted to her waist and with a slit at the right to mid-thigh. She is wearing white, low heels and is leaning against a cast-iron lighting pole to her left. She holds a cigarette in her right hand, arms stretched downwards. Her hair curls upwards over her ears. The brunette is standing to her left, facing the reader. She is wearing a purple blouse with short sleeves and a V-neck, and slim-fit black pants to her ankles, with black, flat shoes. Her hair is short and her legs are parted, left hand's thumb tucked inside her pants' pocket. She looks down at the blonde's chest. Behind the women, a street with buildings with neon lights is seen. Light comes out of doorways and windows, and the women are lit by light from the street lamp above their heads, casting their shadows on the ground below them.
Allison is torn between her love for Lydia and settling down with Cal.

Duet in darkness

Duet in Darkness front cover: Two women are displayed in an indoors setting. One of them, a black woman with short, straight black hair, sits on the wooden floor in a white negligee. Her left side faces the reader, and she sits with her left leg bent at the knee and turned outward toward her back, her foot bare. Her left hand is posed on her left calf and has a ring on its ring finger. Her right hand touches the edge of a blue and black cushioned sofa to her right. Her head is turned sharply to her left, and she looks straight out at the reader with a serious expression on her face. In the background, beside her on the sofa, a redhead with straight hair to her shoulder sits, with both legs folded atop the seat, feet facing right of the image. She is wearing a short, denim skirt and a brown, sleeveless blouse with buttons at the front and a V-neck. Her left hand is blocked by the figure who sits on the floor, and her right hand is holding a cigarette, elbow rested on the back of the chair. She is almost facing the reader; her body slightly twisted to her right. Her head faces the reader, but her sight is directed toward the other woman, with a serious expression. The scene is lit with natural light coming slightly from the left, casting a shadow of the black woman on the sofa and on the brick wall in the background.
Mid 20th century morality tale cautioning readers against interracial relationships and lesbianism

Either is love

Either is Love front cover. The image is occupied mostly by a brunette seen from her chest up, her face centred, and slightly tilted to her left. Her hair has a widow's peak and it is brushed upwards and towards the back; Her two hands are hugging the trunk of a tree in front and to the left of her, her left hand above her right hand facing the reader to the right of the image. She leans her head slightly against the trunk with the left side of her face, gazing downwards towards her left. She is wearing a black, swing coat with a V-neck. Behind her, a forested landscape is seen, apparently lit by moonlight. The image is set over a gray background that shows at the top.
After the death of her husband, the narrator revisits the letters she wrote to him confessing her romantic relationship with another woman before they met.

Odd girl out

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Laura falls in love with her sorority suite mate, and finds herself entangled in a love triangle with Beth and Charlie

Of love forbidden

Of Love Forbidden front cover. A naked woman is sitting on the floor facing the viewer with arms and legs crossed, her chin resting on her right, bent knee. The background is a textured turquoise colour field, and the scene is lit from the top right in a hard light.
Paperback reprint of a pre-1950s lesbian-themed novel

Third sex syndrome (The)

The Third Sex Syndrome front cover. A woman with long, pink wavy hair undresses (or dresses) in view of the reader. She is wearing panties. Her right arm covers her breasts as she removes (or puts on) her lower garment. In the background, a blond short-haired woman in an orange halter top and dark capri pants reclines on a white bed watching the woman in the foreground.
Sharon's affair with Leda allows her to work out her childhood traumas

Third theme (The)

The Third Theme Cover. Three figures occupy most of the image below the top quarter of the cover. One, centered at the bottom, is a brunette with wavy hair down to her shoulders, seen from her chest up. Her chest faces the reader squarely, and is partially exposed, showing her cleavage above an off-shoulders, strapless dress represented by white brushstrokes on the background yellow. Her head and eyes are turned to her left, eyes half-closed and mouth open, as if saying something, whilst frowning. Behind her in the background stand two figures in profile, their bodies facing right of the reader and at either side of the brunette's head. To the right stands a blonde with short hair, clad in a greenish-gray pantsuit and a pink blouse. Her head is fully turned to her right, looking at the brunette with sunglasses on her face and her right hand in her pocket. Behind her, and left of the image stands a man in a gray suit and a black tie who also looks at the brunette with arms crossed. His hair is short and black. The image is lit from the right.
Sharon's affair with Leda allows her to work out her childhood traumas

This bed we made

This Bed We Made front cover. Two women and one man are in a bedroom. A brunette with short, curly hair and a black negligee, lays on her back on a bed with a pink blanket, her shoulders and head on a propped-up pillow, looking slightly toward the right of the image with a slight smile and half-closed eyes. Behind the pillow, a wrought brass headboard is partly in view. Her left arm is bent at the elbow; hand curled inwards. She holds a cigarette in her right hand; outer side rested on her right thigh. She also wears stockings to the middle of her thighs. Sitting up on the bed by the brunette's legs is a blonde. Her body is at a three-quarter angle facing right of the image, and she appears to be fully naked except for a nylon, light blue shawl which is wrapped around her hips and across her chest, covering her breasts. She holds the shawl with both arms crossed in front of her under her breasts and on her right hip. Her hair is tied in a ponytail with a light green bow, and her head is turned towards the brunette. In the background to the left, a man stands against the wall. He has short, brown hair parted to the side, and is wearing a dark blue t-shirt and gray pants with a black belt. His right hand is on his waist; the left arm stretched down across his side. He also looks down toward the brunette, with a slight smile on his lips. To his left, a bowl with fruits can be seen on a bedside table. The background matches the pink of the bed spread, and the scene seems to be lit from the right of the reader.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

This too is love

This Too is Love front cover. A blonde sits on a white, carpeted floor, leaning on her left elbow, supported by a pile of cushions. She is barefoot, and her stilettos are seen next to the cushions along with a pack of cigarettes and an open matchbook. She wears a red, short, velvet dress with multi-row spaghetti straps. She faces the reader in a three-quarter angle towards the center-right of the image, and her knees are bent, legs and feet close together. Her left foot is raised from the heel, the toes touching her right heel. She holds a cigarette in her right hand, which arches over her right knee. Her chin rests on the back of her left hand. Her face faces the reader, but her slightly squinted eyes look toward her right, where another woman sits up from a lying position, stretched on a camel-back green sofa on the right side of her body. The woman is a brunette with hair to her nape and is dressed in a yellow blouse and brown capri pants. Her left arm is stretched over her left leg, and her torso is slightly lifted, resting on her right elbow. She looks straight at the blond with a half-smile. The scene is lit from the left, with the most light placed on the blonde.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

Three strange women

Three Strange Woment front cover: Against a gray background there are two women. One is in the background standing in the center, her body facing right of the reader. She is a blonde with short hair brushed back and is wearing a brown skirt and a white blouse, which she seems to start to remove, revealing a white brassiere. Her face is frontal, slightly tilted to her left, and she gazes straight out at the reader. The other woman is a redhead with short, curly hair who is lying down in the foreground, her body facing the reader, head to the left of the image. She is wearing a white peignoir, her left shoulder exposed by the sleeve that hangs over it. Her left arm is bent, hand to the left of the image, and she is hugging a purple pillow with both hands, with her torso raised. Her right leg is bent, with the knee pointing forward, and uncovered. There is a beaded curtain between the two women, and the scene is lit from the front with hard light.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

To drown our lusts

To Drown Our Lusts front cover. The figures of two women, seen from their chests up, occupy most of the space. The one on the left is a brunette wearing a black, sleeveless top. Her hair is up and tied at the back of her head, and her right hand, wearing a ring with a stone or gem, is rested sideways on her chest. Her body is turned toward the left of the reader, in profile, and her head is turned towards the reader, tilted halfway downward. Her eyes look down toward the bottom of the image. Behind her is a blond woman with short, curly hair. Her torso faces the reader, but her head is turned and tilted slightly to the right of the reader. She has a slight smile on her lips, and her eyes look down at her left, away from the other woman. Her torso appears to be bare. The figures are photographically blended with one another in two places. The background is a mix of shades of orange, and the scene is lit in equally warm tonalities, mainly from the front left.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

Twilight girl

Twilight Girl front cover: Over a red, textured background, a bed with white sheets is placed sideways to the reader, at the bottom of the image. A pillow is placed on it, to the right of the reader. A blond woman with short, curly hair sits on the bed facing the reader, her body at a three-quarter angle facing right. Her legs are crossed under the knees and are at a diagonal angle, bare feet pointing out toward the left of the image. She wears a white slip and a white, strapless brassiere. Her right hand is placed over her chest as she leans on her left arm, which stretches out toward the pillow. Her head is slightly tilted to her right, and she looks down with a serious expression on her face. Behind the bed stands a brunette with short hair and bangs, to the far right of the image. She is wearing a black negligee and stands at a three-quarter angle facing left of the image. Her right arm is bent at the elbow; forearm placed over her stomach. Her left arm is also bent, elbow on her right hand stretched-out fingers, and a cigarette is lit in her hand, fingers bent and pointing upwards. She is looking down at the blonde with a stern expression, head raised slightly. The scene is lit from the top left, casting a shadow to the side of the bed facing the reader.
Lorraine ‘Lon’ Harris explores the Los Angeles lesbian bar scene.

Whisper of love

Whisper of Love front cover. The cover has a bluish-green background with a smaller rectangle to the bottom right, which contains an image of two women—a blonde with long hair and a brunette with short hair. The blonde is in the foreground and only her head and part of her left arm are visible. She is wearing a purple blouse with a round neckline and pleated, short sleeves. Her body is at a three-quarter angle facing left of the reader, and her head is turned to her left and down, as well as her eyes. Her left arm is bent and part of her hand is visible, lifted to her neck, which carries a necklace. The brunette is behind her, to the right of the reader, and is wearing a white blouse with buttons and a collar, and black pants or skirt with a black belt with a brass, square buckle. Her head is bowed and turned to her left, eyes looking down. Her left hand is on the blonde's left shoulder. The scene is lit from the top-right, in diffused light.
A marriage of convenience between Avery Lawes and Lisa Sheridan fails to offer the refuge they hoped it would.

Whispered sex (The)

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Los Angeles was nothing like what Joyce expected it to be.

Women's barracks

Women's Barracks front cover. A blonde, seemingly sitting down, is shown, from the top of her back upwards, at a three-quarter angle and in profile, showing her right shoulder and part of her right arm and the top of her back. Her hair is tied up with a hair clip at the top of her head and flows down to her nape. A strap of her brassiere is visible over her right shoulder. Her head, turned to her right, partially faces the reader. Her eyes are looking down toward her right. What seems to be a khaki military garment is partially shown, wrinkled, behind her back. Behind the blonde, to the left of the image, stands a brunette in profile, also at a three-quarter angle towards the back of the image, facing left. She has on a khaki military shirt that partially hangs, disclosing her shoulders and the top of her back, and exposing the strap of her brassiere on her left side. She seems to be wearing a khaki skirt. Her hair is up and she holds a cigarette in her left hand, which she stares at. The scene is lit from the top left.
Women's Barracks by Tereska Torrės is credited as the first of the mid-century pulp paperbacks to feature a lesbian-themed cover and contain passages describing physical intimacy between two women.