Browse Items (21 total)

  • Protagonist's Status at the End is exactly "The story ends with one woman in a straight relationship"

Third sex syndrome (The)

The Third Sex Syndrome front cover. A woman with long, pink wavy hair undresses (or dresses) in view of the reader. She is wearing panties. Her right arm covers her breasts as she removes (or puts on) her lower garment. In the background, a blond short-haired woman in an orange halter top and dark capri pants reclines on a white bed watching the woman in the foreground.
Sharon's affair with Leda allows her to work out her childhood traumas

Young and innocent

The heads of two women are centered over a brushstroke stripe of lime green over a solid, light tan background. A blonde in the foreground, a brunette partly behind her. The blonde has her eyes closed and her mouth is slightly open. Her hair is long and curly, and she is wearing earrings. The brunette, whose hair is short and curly, looks at her from behind her on the right of the image with her eyes slightly squinted and lips slightly parted. The scene is lit from the top right in a hard light.

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We too are drifting

We Too Are Drifting front cover. Two women occupy most of the visual space. One is standing on the left of the image, her back to the reader, and seen from her calves up. She has blond, short hair and is wearing a white and red-stripped male pajama top with the sleeves rolled up to her forearms. Her legs are slightly spread, shoulder-width. Her gaze is directed downward from her right shoulder toward another woman sitting behind her, a brunette with her hair tied in a bun, neck-high. She is wearing a black negligee and is sitting on her folded legs with hands together between her thighs. She seems to have her eyes closed and, like the other woman, has her face wrapped in a shadow. A beam of warm light illuminates them both partly from the right of the image.

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Dark side of Venus (The)

The Dark Side of Venus front cover. The silhouettes of two women's faces, one with short hair the other with long hair, occupy the bottom half of the space. The woman with short hair is in profile in the foreground, looking towards the right of the reader. The one with long hair is facing the reader and is in the background, to the left of the image, and seen from her chest up. Above them is a dark square background to the title and authors' names. The scene is lit from the back right.

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Loving and the daring (The)

The Loving and the Daring front cover. To the left of the image, a woman, redhead, is shown descending the steps of a stone stairway with a wrought iron railing. She wears a green, knee-high skirt, an orange-red cardigan, and brown, high heel shoes. Her left hand is on the railing, her right arm is stretched over her right side. Her eyes are slightly closed and look toward another woman, whose face and shoulders are seen in the foreground, to the bottom-right of the image. She is a brunette with short, curly hair. Her face is heavily made up and partly faces the reader, slightly bent towards the right bottom corner of the image. Her eyes are slightly closed and look back toward the woman on the stairway but do not look straight at her. Her lips are slightly parted and her eyebrows appear raised. She seems to be wearing an off-shoulders gold and black-trimmed gown, and earrings. The scene is lit from the top left.

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Strange breed

Strange Breed front cover. Two women are on a bed, seemingly naked and partially covered with sheets. One, a redhead woman, is closest to the viewer and lies on her back, head toward the left of the image, with eyes closed, a smile, and her hands folded over her chest, under which a sheet covers the rest of her body. She seems to have both her knees bent. Her face is fully lit. The other woman, a brunette, is next to her in the background, her feet facing the opposite direction to that of the redhead's. Her torso is leaning on her elbows, which rest on her slightly bent knees. Her back faces the viewer in a three-quarter angle and is fully bare. A ray of light shines on it. Her legs are covered with a sheet from her hip down. Her face is bowed down with eyes open, also looking down. Her hair is partly tied up behind her nape. The scene is lit from the top right.

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Whisper their love

Whisper Their Love front cover. A brunette with short, curly hair is shown to the far right side of the image sitting down. Part of one of her legs is visible, showing the hem of a blue skirt and part of her shin. She is wearing a yellow, long-sleeved blouse which is buttoned at the cleavage level. Her face is slightly tilted to her right and to the back, and her gaze is relaxed and directed toward another woman, a redhead, who is sitting on the ground beside her with her body leaned over her lap and her right arm bent over the brunette's lap. Her eyes are green eyes and she is wearing a negligee with lace on its upper part, and straps. The brunette strokes her hair with her left hand, and the redhead's head is slightly curling over her right shoulder as she looks directly at the reader with a smile. To the left, in the background, a green night table is seen against a wall, with a table lamp on top which illuminates the wall in two places, over and under its shade. To the right of the image, around the brunette's left side, rays of light can be seen, seemingly coming through a window with blinds over it. The image is set over a yellow background seen at the top and the bottom of the cover.

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Stranger on Lesbos

Stranger on Lesbos front cover. A blonde is seen, at a three-quarter angle with her back to the reader, towards the left, facing left of the cover. Her hair is partly undone, partially covering the back of her neck. She has bangs above her eyebrows. Her back is almost entirely exposed, a white lace blouse hanging beneath her shoulders, revealing the straps and back of her brassiere. She has her head bowed down halfway, and her eyes are closed. Her left hand touches her right cheek, and her right hand can be partially seen tucked under her left, folded arm. She wears what seem to be a black skirt. In front of her, to the left of the image, several garments can be seen hanging disorderly on a rack. To her right, a dresser with a mirror also displays several clothes sticking out from its drawers in a disordered fashion. A few objects lay on top of the dresser, including a book. The background is a texture of reds and oranges that range in tone. The scene is lit from the top left. The image is inserted inside a line frame that is curved at the bottom corners. Above the image, and over white, the title, author's name and descriptions are displayed in black and red type.

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Who knows love?

Who Knows Love? front cover. The face and chest of a blond woman take up most of the space, to the right of the image, oriented at a three-quarter angle facing left of the reader. Her straight hair curving in beneath her right shoulder, the only one visible, and she has a quiet, yet intense expression on her face. Her head is slightly tilted downward, and her gaze is fixed on something outside the picture, lower than her head, in front of her. She seems to be wearing an orange, button-less blouse or robe, and part of her upper chest is visible. The scene is dimly lit from the top left of the image, and the left side of her face is shadowed.

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This bed we made

This Bed We Made front cover. Two women and one man are in a bedroom. A brunette with short, curly hair and a black negligee, lays on her back on a bed with a pink blanket, her shoulders and head on a propped-up pillow, looking slightly toward the right of the image with a slight smile and half-closed eyes. Behind the pillow, a wrought brass headboard is partly in view. Her left arm is bent at the elbow; hand curled inwards. She holds a cigarette in her right hand; outer side rested on her right thigh. She also wears stockings to the middle of her thighs. Sitting up on the bed by the brunette's legs is a blonde. Her body is at a three-quarter angle facing right of the image, and she appears to be fully naked except for a nylon, light blue shawl which is wrapped around her hips and across her chest, covering her breasts. She holds the shawl with both arms crossed in front of her under her breasts and on her right hip. Her hair is tied in a ponytail with a light green bow, and her head is turned towards the brunette. In the background to the left, a man stands against the wall. He has short, brown hair parted to the side, and is wearing a dark blue t-shirt and gray pants with a black belt. His right hand is on his waist; the left arm stretched down across his side. He also looks down toward the brunette, with a slight smile on his lips. To his left, a bowl with fruits can be seen on a bedside table. The background matches the pink of the bed spread, and the scene seems to be lit from the right of the reader.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Corruption of innocence (The)

The Corruption of Innocence front cover. A redhead is sitting on a black leather executive chair in the center of the image. Her hair is long and loose, and she has bangs above her eyebrows. She is sitting on her left leg, which folds fully under her body and towards her right. Her right leg is above it, folded in the same direction; the top of her bare foot can be seen facing the reader. She is is slightly leaned over, placing her weight on her extended left arm and her hand, which is supported on the seat of the chair. Her right arm is bent at the elbow and her palm faces her, to the side of her face and in her hair. She looks straight at the reader with her head tilted forward and to her right, her eyes open, and a smile on her lips. She is wearing a white brassiere whose left strap hangs over her elbow, and what appears to be a white slip pulled up to reveal her thighs, knees, and right calf. The seat looks to be close to the floor. There is light on her, coming from the left of the reader, and it is also seen reflected behind her. Everything else is dark and merging with a black background.

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Third lust (The)

The Third Lust front cover. The setting is a living room with a green sofa, two coffee tables, and paintings on the background wall. A redhead lies on her back on the sofa, with her head propped on a white pillow, to the left of the reader. Her hair is in disarray and seems to be long and loose. She is wearing a white negligee, her right breast partially visible. Her legs are bent and she is touching her hair with both hands. She is looking up, with a slight smile and parted lips, at a brunette with short hair who stands in front of the sofa with her back fully towards the reader. She is wearing a black slip with lace and high heels, and is removing what appears to be a white silk blouse. Her head is tilted to the left and bowed forward, as if looking directly at the redhead on the sofa. In the foreground, to the right of the reader, a round coffee table with a glass top holds an ashtray. To the left of the reader, another table, wooden, holds a glass of wine. Behind the sofa, there is a wall with paintings and a wall candle holder. The scene is lit from the left of the reader, and a shadow is cast toward the top right.

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Sins of Tonia (The)

The Sins of Tonia front cover. Over a blue and pink textured background, two women are shown. One, a blond in the foreground, is wearing a black lace brassiere and panties, with stockings and suspenders and a lace girdle. She stands at a three-quarter angle to the reader toward the left of the image and is removing a black negligee, which is over her head. She has a pearl necklace and looks straight forward toward the reader with her head slightly tilted to her right. In the background, a redhead is seen reclining on a bed or the ground, surrounded by cushions of many colours. Her head is tilted to her right and slightly bowed, and her eyes look straight at the blonde's legs. She is wearing a white negligee, her right hand on her hair, which is up in a bun behind her head. Her left arm is bent at the elbow and rests over a large, purple cushion. She is wearing earrings and bracelets on her left wrist. The scene is lit from the front and top. The image is surrounded by a white background.

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Sorority sin

Sorority Sin front cover. Two women are seen in a bedroom. One, a blonde, faces the reader, sitting on a bed with her legs bent at the knees, feet pointing out to her right. She is wearing an orange satin night robe buttoned only above her stomach. A The left side of the robe hangs over her left arm, exposing the left half of her brassiere. Under the buttoned part of the robe, white panties can be partially seen. Her body leans against her left hand which is placed palm-down on the bed, and she touches her right ear with her right hand. In front of her, kneeling, a brunette with short hair can be partially seen. She wears a black blouse with sleeves rolled up to her elbows, a gold chain bracelet on her left wrist. Both women look at one another and the scene is lit from the front-left.

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Spring fire

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Duet in darkness

Duet in Darkness front cover: Two women are displayed in an indoors setting. One of them, a black woman with short, straight black hair, sits on the wooden floor in a white negligee. Her left side faces the reader, and she sits with her left leg bent at the knee and turned outward toward her back, her foot bare. Her left hand is posed on her left calf and has a ring on its ring finger. Her right hand touches the edge of a blue and black cushioned sofa to her right. Her head is turned sharply to her left, and she looks straight out at the reader with a serious expression on her face. In the background, beside her on the sofa, a redhead with straight hair to her shoulder sits, with both legs folded atop the seat, feet facing right of the image. She is wearing a short, denim skirt and a brown, sleeveless blouse with buttons at the front and a V-neck. Her left hand is blocked by the figure who sits on the floor, and her right hand is holding a cigarette, elbow rested on the back of the chair. She is almost facing the reader; her body slightly twisted to her right. Her head faces the reader, but her sight is directed toward the other woman, with a serious expression. The scene is lit with natural light coming slightly from the left, casting a shadow of the black woman on the sofa and on the brick wall in the background.
Mid 20th century morality tale cautioning readers against interracial relationships and lesbianism

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Third theme (The)

The Third Theme Cover. Three figures occupy most of the image below the top quarter of the cover. One, centered at the bottom, is a brunette with wavy hair down to her shoulders, seen from her chest up. Her chest faces the reader squarely, and is partially exposed, showing her cleavage above an off-shoulders, strapless dress represented by white brushstrokes on the background yellow. Her head and eyes are turned to her left, eyes half-closed and mouth open, as if saying something, whilst frowning. Behind her in the background stand two figures in profile, their bodies facing right of the reader and at either side of the brunette's head. To the right stands a blonde with short hair, clad in a greenish-gray pantsuit and a pink blouse. Her head is fully turned to her right, looking at the brunette with sunglasses on her face and her right hand in her pocket. Behind her, and left of the image stands a man in a gray suit and a black tie who also looks at the brunette with arms crossed. His hair is short and black. The image is lit from the right.
Sharon's affair with Leda allows her to work out her childhood traumas

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Either is love

Either is Love front cover. The image is occupied mostly by a brunette seen from her chest up, her face centred, and slightly tilted to her left. Her hair has a widow's peak and it is brushed upwards and towards the back; Her two hands are hugging the trunk of a tree in front and to the left of her, her left hand above her right hand facing the reader to the right of the image. She leans her head slightly against the trunk with the left side of her face, gazing downwards towards her left. She is wearing a black, swing coat with a V-neck. Behind her, a forested landscape is seen, apparently lit by moonlight. The image is set over a gray background that shows at the top.
After the death of her husband, the narrator revisits the letters she wrote to him confessing her romantic relationship with another woman before they met.

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Women in the shadows

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Race passing and passing for straight underscore the interrelationship tensions among Laura, Jack, Beebo, and Tris in 1950s New York.

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Odd girl out

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Laura falls in love with her sorority suite mate, and finds herself entangled in a love triangle with Beth and Charlie

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Trio

Trio front cover. The cover illustration is centered under the book title forming a black stripe on a white background. A blond woman wearing a lowcut black blouse is at the forefront of the image. She is looking directly at the reader. Behind her are the partially visible images of a dark-haired woman and a man, facing opposite directions gazing downward. The woman is wearing red straps with her arms and back exposed. The man is in shadows.

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