Browse Items (14 total)

  • Subject is exactly "Bisexuality"

Third sex syndrome (The)

The Third Sex Syndrome front cover. A woman with long, pink wavy hair undresses (or dresses) in view of the reader. She is wearing panties. Her right arm covers her breasts as she removes (or puts on) her lower garment. In the background, a blond short-haired woman in an orange halter top and dark capri pants reclines on a white bed watching the woman in the foreground.
Sharon's affair with Leda allows her to work out her childhood traumas

Young and innocent

The heads of two women are centered over a brushstroke stripe of lime green over a solid, light tan background. A blonde in the foreground, a brunette partly behind her. The blonde has her eyes closed and her mouth is slightly open. Her hair is long and curly, and she is wearing earrings. The brunette, whose hair is short and curly, looks at her from behind her on the right of the image with her eyes slightly squinted and lips slightly parted. The scene is lit from the top right in a hard light.

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Sex on the odd side

Love on the Odd Side front cover. Two female bodies appear to be naked, one next to the other, in mirrored, standing poses displayed from their ankles up. The image seems to be a photograph-based collage, so parts of their bodies are displayed while others are veiled in films of paint or ink. The women's backs face the reader, and their arms are, one on their hair, the other on their hips, in a mirrored way. The background is a diffused abstraction in oranges, yellows, reds and purples that center on an image that could resemble a uterus.

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This too is love

This Too is Love front cover. A blonde sits on a white, carpeted floor, leaning on her left elbow, supported by a pile of cushions. She is barefoot, and her stilettos are seen next to the cushions along with a pack of cigarettes and an open matchbook. She wears a red, short, velvet dress with multi-row spaghetti straps. She faces the reader in a three-quarter angle towards the center-right of the image, and her knees are bent, legs and feet close together. Her left foot is raised from the heel, the toes touching her right heel. She holds a cigarette in her right hand, which arches over her right knee. Her chin rests on the back of her left hand. Her face faces the reader, but her slightly squinted eyes look toward her right, where another woman sits up from a lying position, stretched on a camel-back green sofa on the right side of her body. The woman is a brunette with hair to her nape and is dressed in a yellow blouse and brown capri pants. Her left arm is stretched over her left leg, and her torso is slightly lifted, resting on her right elbow. She looks straight at the blond with a half-smile. The scene is lit from the left, with the most light placed on the blonde.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Third way (The)

The Third Way front cover. A blonde is shown in profile at the center of the image, sitting on the edge of a bed or arm-less couch. The right side of her body faces the reader. Her right knee is bent, foot hanging at the heel from the edge of the bed. She holds a light-blue towel against her naked body, hiding part of her breast, stomach and thigh. Her face is directed toward the reader, but her eyes look to her right, away from the reader. In the background, to the left of the image, stands a brunette with short hair, dressed in a tight, green dress with straps and a V-neck. The dress is knee-high and has a slit over her left thigh. She has her right hand on her hip and puffs from a cigarette held in her left hand, looking straight at the blonde, almost frowning. She is wearing high heels and earrings. The background only shows watery brushstrokes in green and yellow, and the scene is lit from the front left.

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Women's barracks

Women's Barracks front cover. A blonde, seemingly sitting down, is shown, from the top of her back upwards, at a three-quarter angle and in profile, showing her right shoulder and part of her right arm and the top of her back. Her hair is tied up with a hair clip at the top of her head and flows down to her nape. A strap of her brassiere is visible over her right shoulder. Her head, turned to her right, partially faces the reader. Her eyes are looking down toward her right. What seems to be a khaki military garment is partially shown, wrinkled, behind her back. Behind the blonde, to the left of the image, stands a brunette in profile, also at a three-quarter angle towards the back of the image, facing left. She has on a khaki military shirt that partially hangs, disclosing her shoulders and the top of her back, and exposing the strap of her brassiere on her left side. She seems to be wearing a khaki skirt. Her hair is up and she holds a cigarette in her left hand, which she stares at. The scene is lit from the top left.
Women's Barracks by Tereska Torrės is credited as the first of the mid-century pulp paperbacks to feature a lesbian-themed cover and contain passages describing physical intimacy between two women.

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Golden cage (The)

The Golden Cage Front cover. A single nude woman, seemingly sitting over her bent knees, in profile, is looking away from the reader. She has her right arm raised, palm up and relaxed. Her left side is seen, almost centred in the space, beneath what appear to be tall grasses bordering a body of water, such as a lake. Her eyes are closed, her nose touching her raised arm. Her hair seems to be tied up in a bun behind her head. Her left arm is stretched downwards behind her. There are yellow lines and dots of many colours drawn next to the book title, which is in the right of the image. A double-exposure makes part of the image look faded. The scene is lit from the left.

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Fever in the sun

Fever in the Sun front cover. A redhead woman is shown lying stretched on her back on a wicker lounger, diagonally filling the center of the image. She is wearing a pink negligee which is open on both sides, exposing her cupped-brassieres and panties. She is wearing a pink ribbon on her hair. Her face is turned toward her left and towards the reader, but her eyes focus on a man sitting at the edge of the lounger to her right and who leans over, looking directly at her, his right-hand firm over her on the seat of the lounger, and his left hand placed against the back of the chair. He is dressed in brown pants, a belt, and a purple, long-sleeved shirt with green stripes. The woman has her right hand around his neck. There is a plant on the ground, on the foreground, similar to the taro or elephant's ear plant. The background is a solid red, and there are four yellow looped lines around the cover's title toward the top left. The scene is lit from the front, top.

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Dangerous games (The)

The Dangerous Games front cover. A brunette is heel sitting on the ground, left foot under her thigh and left knee touching the ground, and right knee slightly off the ground. She is naked and faces the viewer, off-center to the right of the image. Both her arms are crossed over her chest, hands grasping the arms, and her head is slightly tilted to the back and to her left. Her hair is waist-long, with bangs across her forehead. She looks straight toward the viewer with slightly closed eyes, a relaxed expression, and a slight smile. The background is light purple and yellow, the yellow placed vertically in the center conveying a ray of light. The scene is lit from the top right.

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Who knows love?

Who Knows Love? front cover. The face and chest of a blond woman take up most of the space, to the right of the image, oriented at a three-quarter angle facing left of the reader. Her straight hair curving in beneath her right shoulder, the only one visible, and she has a quiet, yet intense expression on her face. Her head is slightly tilted downward, and her gaze is fixed on something outside the picture, lower than her head, in front of her. She seems to be wearing an orange, button-less blouse or robe, and part of her upper chest is visible. The scene is dimly lit from the top left of the image, and the left side of her face is shadowed.

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This bed we made

This Bed We Made front cover. Two women and one man are in a bedroom. A brunette with short, curly hair and a black negligee, lays on her back on a bed with a pink blanket, her shoulders and head on a propped-up pillow, looking slightly toward the right of the image with a slight smile and half-closed eyes. Behind the pillow, a wrought brass headboard is partly in view. Her left arm is bent at the elbow; hand curled inwards. She holds a cigarette in her right hand; outer side rested on her right thigh. She also wears stockings to the middle of her thighs. Sitting up on the bed by the brunette's legs is a blonde. Her body is at a three-quarter angle facing right of the image, and she appears to be fully naked except for a nylon, light blue shawl which is wrapped around her hips and across her chest, covering her breasts. She holds the shawl with both arms crossed in front of her under her breasts and on her right hip. Her hair is tied in a ponytail with a light green bow, and her head is turned towards the brunette. In the background to the left, a man stands against the wall. He has short, brown hair parted to the side, and is wearing a dark blue t-shirt and gray pants with a black belt. His right hand is on his waist; the left arm stretched down across his side. He also looks down toward the brunette, with a slight smile on his lips. To his left, a bowl with fruits can be seen on a bedside table. The background matches the pink of the bed spread, and the scene seems to be lit from the right of the reader.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Third lust (The)

The Third Lust front cover. The setting is a living room with a green sofa, two coffee tables, and paintings on the background wall. A redhead lies on her back on the sofa, with her head propped on a white pillow, to the left of the reader. Her hair is in disarray and seems to be long and loose. She is wearing a white negligee, her right breast partially visible. Her legs are bent and she is touching her hair with both hands. She is looking up, with a slight smile and parted lips, at a brunette with short hair who stands in front of the sofa with her back fully towards the reader. She is wearing a black slip with lace and high heels, and is removing what appears to be a white silk blouse. Her head is tilted to the left and bowed forward, as if looking directly at the redhead on the sofa. In the foreground, to the right of the reader, a round coffee table with a glass top holds an ashtray. To the left of the reader, another table, wooden, holds a glass of wine. Behind the sofa, there is a wall with paintings and a wall candle holder. The scene is lit from the left of the reader, and a shadow is cast toward the top right.

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Third theme (The)

The Third Theme Cover. Three figures occupy most of the image below the top quarter of the cover. One, centered at the bottom, is a brunette with wavy hair down to her shoulders, seen from her chest up. Her chest faces the reader squarely, and is partially exposed, showing her cleavage above an off-shoulders, strapless dress represented by white brushstrokes on the background yellow. Her head and eyes are turned to her left, eyes half-closed and mouth open, as if saying something, whilst frowning. Behind her in the background stand two figures in profile, their bodies facing right of the reader and at either side of the brunette's head. To the right stands a blonde with short hair, clad in a greenish-gray pantsuit and a pink blouse. Her head is fully turned to her right, looking at the brunette with sunglasses on her face and her right hand in her pocket. Behind her, and left of the image stands a man in a gray suit and a black tie who also looks at the brunette with arms crossed. His hair is short and black. The image is lit from the right.
Sharon's affair with Leda allows her to work out her childhood traumas

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Gay scene

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/797/LPF-Gay Scene-Front.jpg

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