Browse Items (17 total)

  • Type is exactly "Reprint (hardcover)"

Trio

Trio front cover. The cover illustration is centered under the book title forming a black stripe on a white background. A blond woman wearing a lowcut black blouse is at the forefront of the image. She is looking directly at the reader. Behind her are the partially visible images of a dark-haired woman and a man, facing opposite directions gazing downward. The woman is wearing red straps with her arms and back exposed. The man is in shadows.

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Queer patterns

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/838/LPF-Queer Patterns-Front.jpg

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Either is love

Either is Love front cover. The image is occupied mostly by a brunette seen from her chest up, her face centred, and slightly tilted to her left. Her hair has a widow's peak and it is brushed upwards and towards the back; Her two hands are hugging the trunk of a tree in front and to the left of her, her left hand above her right hand facing the reader to the right of the image. She leans her head slightly against the trunk with the left side of her face, gazing downwards towards her left. She is wearing a black, swing coat with a V-neck. Behind her, a forested landscape is seen, apparently lit by moonlight. The image is set over a gray background that shows at the top.
After the death of her husband, the narrator revisits the letters she wrote to him confessing her romantic relationship with another woman before they met.

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Damned one (The)

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/779/LPF-The Damned One-Front.jpg

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Diana

Diana, front cover: A blond woman with her arms folded stands on the right of the cover. She is dressed in a black jacket and pants. Her gaze is downwards and to the left away from the reader. In the background behind the blond woman is the face of a brown haired woman with red lipstick. She is looking directly at the reader.

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Painted veils

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/829/LPF-Painted Veils-Front.jpg

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Mesh (The)

The Mesh front cover. Woman with red hair is lying on a bed, looking out at the reader. Only her head, centred in the image, and her left arm, on which she rests her chin, are visible. She is superimposed over lighter images of multiple women, in a double-exposure fashion. The scene is lit in a monochromatic, diffused light.

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Price of salt (The)

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/834/LPF-The Price of Salt-Front.jpg

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Olivia

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/894/LPF-Olivia-Front.jpg

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Women without men

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/891/LPF-Women Without Men-Front.jpg
Journalistic treatment of lesbian subcultures in France.

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Death of anger

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/783/LPF-Death of Anger-Front.jpg

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Corruption of innocence (The)

The Corruption of Innocence front cover. A redhead is sitting on a black leather executive chair in the center of the image. Her hair is long and loose, and she has bangs above her eyebrows. She is sitting on her left leg, which folds fully under her body and towards her right. Her right leg is above it, folded in the same direction; the top of her bare foot can be seen facing the reader. She is is slightly leaned over, placing her weight on her extended left arm and her hand, which is supported on the seat of the chair. Her right arm is bent at the elbow and her palm faces her, to the side of her face and in her hair. She looks straight at the reader with her head tilted forward and to her right, her eyes open, and a smile on her lips. She is wearing a white brassiere whose left strap hangs over her elbow, and what appears to be a white slip pulled up to reveal her thighs, knees, and right calf. The seat looks to be close to the floor. There is light on her, coming from the left of the reader, and it is also seen reflected behind her. Everything else is dark and merging with a black background.

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Loving and the daring (The)

The Loving and the Daring front cover. To the left of the image, a woman, redhead, is shown descending the steps of a stone stairway with a wrought iron railing. She wears a green, knee-high skirt, an orange-red cardigan, and brown, high heel shoes. Her left hand is on the railing, her right arm is stretched over her right side. Her eyes are slightly closed and look toward another woman, whose face and shoulders are seen in the foreground, to the bottom-right of the image. She is a brunette with short, curly hair. Her face is heavily made up and partly faces the reader, slightly bent towards the right bottom corner of the image. Her eyes are slightly closed and look back toward the woman on the stairway but do not look straight at her. Her lips are slightly parted and her eyebrows appear raised. She seems to be wearing an off-shoulders gold and black-trimmed gown, and earrings. The scene is lit from the top left.

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Dark side of Venus (The)

The Dark Side of Venus front cover. The silhouettes of two women's faces, one with short hair the other with long hair, occupy the bottom half of the space. The woman with short hair is in profile in the foreground, looking towards the right of the reader. The one with long hair is facing the reader and is in the background, to the left of the image, and seen from her chest up. Above them is a dark square background to the title and authors' names. The scene is lit from the back right.

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Strange path (The)

The Strange Path front cover. Two women appear facing the reader, to the right of the image. One, a blonde with long, curly hair wearing a light-blue negligee, is sitting on a bed, legs folded under her body as she gazes at the reader with half-shut eyes and mouth slightly open. Her right-hand plays with a lock of her hair over her chest, the weight of her body on her stretched left arm. The left strap of her negligee hangs over her elbow. The other woman, a brunette with short hair, stands behind her, to the right of the image and facing the reader at a three-quarter angle towards the left. She is dressed in a blue cardigan and what seem to be black pants. Her head is upright, and her gaze is directed downward toward the blonde as she rests her right hand on the blonde's right shoulder. Her left fingers touch the blonde's left shoulder. On the wall behind them, the lights and shadows of window panes are cast, as well as their own shadows, and the light reflected seems like that of morning sunshine.

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We too are drifting

We Too Are Drifting front cover. Two women occupy most of the visual space. One is standing on the left of the image, her back to the reader, and seen from her calves up. She has blond, short hair and is wearing a white and red-stripped male pajama top with the sleeves rolled up to her forearms. Her legs are slightly spread, shoulder-width. Her gaze is directed downward from her right shoulder toward another woman sitting behind her, a brunette with her hair tied in a bun, neck-high. She is wearing a black negligee and is sitting on her folded legs with hands together between her thighs. She seems to have her eyes closed and, like the other woman, has her face wrapped in a shadow. A beam of warm light illuminates them both partly from the right of the image.

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Of love forbidden

Of Love Forbidden front cover. A naked woman is sitting on the floor facing the viewer with arms and legs crossed, her chin resting on her right, bent knee. The background is a textured turquoise colour field, and the scene is lit from the top right in a hard light.
Paperback reprint of a pre-1950s lesbian-themed novel

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