Browse Items (57 total)

  • Cover Art Clothing and Fashion is exactly "Décolletage"

Delicate vice (The)

The Delicate Vice front cover. The scene is an urban scene at night. Two women, one brunette and one blonde, stand to the left of the image. The blonde has her back towards the reader at a three-quarter angle to the left and is wearing a yellow dress, adjusted to her waist and with a slit at the right to mid-thigh. She is wearing white, low heels and is leaning against a cast-iron lighting pole to her left. She holds a cigarette in her right hand, arms stretched downwards. Her hair curls upwards over her ears. The brunette is standing to her left, facing the reader. She is wearing a purple blouse with short sleeves and a V-neck, and slim-fit black pants to her ankles, with black, flat shoes. Her hair is short and her legs are parted, left hand's thumb tucked inside her pants' pocket. She looks down at the blonde's chest. Behind the women, a street with buildings with neon lights is seen. Light comes out of doorways and windows, and the women are lit by light from the street lamp above their heads, casting their shadows on the ground below them.
Allison is torn between her love for Lydia and settling down with Cal.

Enough of sorrow

Enough of Sorrow by Jill Emerson (1965). The background is dark brown, with a rectangle containing the image, one-third from the top below the title. The partial face of a woman with brown eyes and bright red lipstick looks directly toward the reader through a slightly blurred window with water droplets. To the bottom centre, partially covering the main face, another figure of a brunette is seen, facing the reader, but with her eyes downcast. Her right arm is raised, bent at the elbow, with her hand buried in her long brown hair. She is wearing a dark brown slip covered by a translucent beige lounging gown. Her left shoulder is exposed. Her left hand is draped towards her right hip.
Karen's journey of self-discovery through love, lust, and alcohol.

Girls in 3-B (The)

The Girls in 3-B front cover. Three women form a triangle inside what looks to be the bedroom of a city apartment. One, a blonde, stands in the background facing the reader, leaning against a wall beside a window. Her hair is shoulder-length and she is holding a cigarette in her right hand. Her right arm is fully extended downward and she grips it, with her right hand, at the elbow. She is wearing an orange jacket, unbuttoned, a brown skirt, and low heels stilettos. Her left leg is slightly bent, with the foot to her side, pointing out. She looks down to her left at another woman, a brunette with short hair, who sits on a bed with red and white undone sheets, putting on a stocking on her left leg. She sits in full profile, facing left of the image, and is wearing a black negligee and low heel stilettos on her right foot. The right leg shows a stocking at mid-thigh, and the left foot is bare. A third woman, also a brunette, stands with her back to the reader on the forefront left of the image. She wears a black slip and looks as if she is about to take off a blue blouse. Her hair is long and reaches the middle of her back, part of which is exposed. She too is looking at the brunette. There is a side table in the background, with a potted plant on top, and a pair of slippers on the ground. The scene is lit from the front right.
Three high school friends share an apartment in Chicago.

Guerrilla girls

Guerrilla Girls front cover. A group of four women stand or sit in front of military barracks. One is standing upright, to the left of the image, facing the reader, and is fully dressed in military garb, a weapon on her hip, cigarette hanging from her lips. She is a brunette, and her hair is short. Her pose is relaxed. Her gaze is directed at a seated woman to the right of the image, who has short hair and wears a blouse and short skirt and who is, with a slight smile, looking over her right shoulder towards a third woman who is also seated, on a purple cushion on the ground, and dressed in a blouse with rolled sleeves to her elbows, khaki shorts and boots, cleaning a long weapon with her legs crossed. Her hair is dark and curly, and she also seems to smile. Between them sits, her back to the reader, a fourth woman who appears to be fully naked. She has her arms up as if fixing her hair as she looks up toward the standing woman. In the background are two tents with red stripes, and to the left of the image stands a pair of long weapons fixed to a stand. The scene is lit from the front.
An adventure story of a group of European and Muslim female volunteers in a National Liberation Front camp in the Aures mountains, Algeria

Honey at her lips

Honey at her lips front cover: A blonde with long, wavy hair faces the reader to the right of the image, standing in front of a white wall and a white door that is slightly ajar. She is seen from her thighs up, wrapped in a lace shawl with nothing else underneath, and which she holds together at stomach level with her right hand on her left hip. Her left arm is extended downwards, the hand at the front of her left thigh. Her bosom is partly exposed. She is looking straight out at the reader with her head slightly tilted down, left shoulder raised. The scene is lit from the front, and a shadow can be seen behind the opened door.
Honey at her Lips has no lesbian content. Dollar Books repackaged Newsstand Library's Honey Babe (Steve Bell) and The Third Theme (March Hastings) together in one volume with modified titles. The Third Theme has lesbian content.

Strange ones (The)

The Strange Ones front cover. A woman in a satin nightgown is standing behind the headboard or footboard of a green, metal-framed bed shown in the foreground at a slight angle. The rest of the bed is outside the frame. She has long hair partially tied up at the back of her head. The straps of her nightgown are hanging over her arms, partially showing her chest. Both her arms are raised behind her head as if she were rearranging her hair. She is shown in profile from her thighs up, in the center of the image, her left side facing the reader. Her eyes are slightly closed, looking to her left, directly toward the reader. Behind her, to the right of the image, a man is shown leaning on his forearms against a door painted olive-green. His forehead is on his fists, which touch the door. His expression is tense or stressed. He is fully dressed in a long-sleeved, striped shirt, black pants and a belt. He is in full profile, the right side of his body facing the reader, and can be viewed from his knees up. The scene is lit from the front left.
Gay pulp fiction

This bed we made

This Bed We Made front cover. Two women and one man are in a bedroom. A brunette with short, curly hair and a black negligee, lays on her back on a bed with a pink blanket, her shoulders and head on a propped-up pillow, looking slightly toward the right of the image with a slight smile and half-closed eyes. Behind the pillow, a wrought brass headboard is partly in view. Her left arm is bent at the elbow; hand curled inwards. She holds a cigarette in her right hand; outer side rested on her right thigh. She also wears stockings to the middle of her thighs. Sitting up on the bed by the brunette's legs is a blonde. Her body is at a three-quarter angle facing right of the image, and she appears to be fully naked except for a nylon, light blue shawl which is wrapped around her hips and across her chest, covering her breasts. She holds the shawl with both arms crossed in front of her under her breasts and on her right hip. Her hair is tied in a ponytail with a light green bow, and her head is turned towards the brunette. In the background to the left, a man stands against the wall. He has short, brown hair parted to the side, and is wearing a dark blue t-shirt and gray pants with a black belt. His right hand is on his waist; the left arm stretched down across his side. He also looks down toward the brunette, with a slight smile on his lips. To his left, a bowl with fruits can be seen on a bedside table. The background matches the pink of the bed spread, and the scene seems to be lit from the right of the reader.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

This too is love

This Too is Love front cover. A blonde sits on a white, carpeted floor, leaning on her left elbow, supported by a pile of cushions. She is barefoot, and her stilettos are seen next to the cushions along with a pack of cigarettes and an open matchbook. She wears a red, short, velvet dress with multi-row spaghetti straps. She faces the reader in a three-quarter angle towards the center-right of the image, and her knees are bent, legs and feet close together. Her left foot is raised from the heel, the toes touching her right heel. She holds a cigarette in her right hand, which arches over her right knee. Her chin rests on the back of her left hand. Her face faces the reader, but her slightly squinted eyes look toward her right, where another woman sits up from a lying position, stretched on a camel-back green sofa on the right side of her body. The woman is a brunette with hair to her nape and is dressed in a yellow blouse and brown capri pants. Her left arm is stretched over her left leg, and her torso is slightly lifted, resting on her right elbow. She looks straight at the blond with a half-smile. The scene is lit from the left, with the most light placed on the blonde.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

Three strange women

Three Strange Woment front cover: Against a gray background there are two women. One is in the background standing in the center, her body facing right of the reader. She is a blonde with short hair brushed back and is wearing a brown skirt and a white blouse, which she seems to start to remove, revealing a white brassiere. Her face is frontal, slightly tilted to her left, and she gazes straight out at the reader. The other woman is a redhead with short, curly hair who is lying down in the foreground, her body facing the reader, head to the left of the image. She is wearing a white peignoir, her left shoulder exposed by the sleeve that hangs over it. Her left arm is bent, hand to the left of the image, and she is hugging a purple pillow with both hands, with her torso raised. Her right leg is bent, with the knee pointing forward, and uncovered. There is a beaded curtain between the two women, and the scene is lit from the front with hard light.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

Twilight girl

Twilight Girl front cover: Over a red, textured background, a bed with white sheets is placed sideways to the reader, at the bottom of the image. A pillow is placed on it, to the right of the reader. A blond woman with short, curly hair sits on the bed facing the reader, her body at a three-quarter angle facing right. Her legs are crossed under the knees and are at a diagonal angle, bare feet pointing out toward the left of the image. She wears a white slip and a white, strapless brassiere. Her right hand is placed over her chest as she leans on her left arm, which stretches out toward the pillow. Her head is slightly tilted to her right, and she looks down with a serious expression on her face. Behind the bed stands a brunette with short hair and bangs, to the far right of the image. She is wearing a black negligee and stands at a three-quarter angle facing left of the image. Her right arm is bent at the elbow; forearm placed over her stomach. Her left arm is also bent, elbow on her right hand stretched-out fingers, and a cigarette is lit in her hand, fingers bent and pointing upwards. She is looking down at the blonde with a stern expression, head raised slightly. The scene is lit from the top left, casting a shadow to the side of the bed facing the reader.
Lorraine ‘Lon’ Harris explores the Los Angeles lesbian bar scene.

Twilight lovers

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A paperback original. This book was published as a mass-market paperback without a hardcover printing.