Browse Items (73 total)

  • Publisher Type is exactly "Adult"

Baby face

Baby Face front cover. The image is divided into two fields. The upper field shows black and blue text over a solid pink background. The bottom half of the cover contains the illustration of an indoors scene. One woman, a blonde, sits up against a pillow propped on the pink headboard of a bed that has pink sheets and pillowcase, and an orange blanket. The blonde's hair is combed up, with a lock falling over her right shoulder. Her head is bowed forward and her eyes are directed towards the reader, and she has a slight smile. She is wearing a white negligee, left strap down and right strap hanging over her arm. Her left leg is bent at the knee and sprawled open. She touches the blanket with her left hand and her face with her right hand. At the foot of a bed, a brunette with long hair sits, legs crossed. She too is wearing a white negligee and has her arms crossed over her knees. Her left hand lays rested over her thigh, palm-up. With her right hand, she holds up a hand mirror to her left. Her head is turned to her left but her eyes gaze directly towards the reader, with half-shut eyes and a slight smile on her lips. Behind them on the wall, a mirror can be partially seen, and a dresser. The wall has purple and pink wallpaper on it. The scene is lit from the front-left.

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Bit of fluff (A)

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/773/LPF-A Bit of Fluff-Front.jpg

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Chris

Chris front cover. The face of a blond woman with head leaned back looking directly toward the reader and bathed in a red light dominates the image on all the edges, as a background. Her mouth is in rest and her eyes are half-closed. To the bottom right, and partially covering the blonde's face, another figure of a blonde is seen, with her back to the reader. She has long, wavy hair, bangs hanging over her eyebrows. Her body is twisted to the front and left, and her head hangs down to the left, equally turned and with eye closed. Her arms are crossed across her chest, both hands clasped to the other arm. She wears a black skirt that is unzipped at the back and her entire back is bare. The scene is lit from the front-left.
Chris faces a difficult choice between her relationship with Shelia "Dizz" Dizendorf and the hope of happiness with Carol Martin

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Cloak of evil

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/777/LPF-Cloak of Evil-Front.jpg

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Corruption of innocence (The)

The Corruption of Innocence front cover. A redhead is sitting on a black leather executive chair in the center of the image. Her hair is long and loose, and she has bangs above her eyebrows. She is sitting on her left leg, which folds fully under her body and towards her right. Her right leg is above it, folded in the same direction; the top of her bare foot can be seen facing the reader. She is is slightly leaned over, placing her weight on her extended left arm and her hand, which is supported on the seat of the chair. Her right arm is bent at the elbow and her palm faces her, to the side of her face and in her hair. She looks straight at the reader with her head tilted forward and to her right, her eyes open, and a smile on her lips. She is wearing a white brassiere whose left strap hangs over her elbow, and what appears to be a white slip pulled up to reveal her thighs, knees, and right calf. The seat looks to be close to the floor. There is light on her, coming from the left of the reader, and it is also seen reflected behind her. Everything else is dark and merging with a black background.

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Delicate vice (The)

The Delicate Vice front cover. The scene is an urban scene at night. Two women, one brunette and one blonde, stand to the left of the image. The blonde has her back towards the reader at a three-quarter angle to the left and is wearing a yellow dress, adjusted to her waist and with a slit at the right to mid-thigh. She is wearing white, low heels and is leaning against a cast-iron lighting pole to her left. She holds a cigarette in her right hand, arms stretched downwards. Her hair curls upwards over her ears. The brunette is standing to her left, facing the reader. She is wearing a purple blouse with short sleeves and a V-neck, and slim-fit black pants to her ankles, with black, flat shoes. Her hair is short and her legs are parted, left hand's thumb tucked inside her pants' pocket. She looks down at the blonde's chest. Behind the women, a street with buildings with neon lights is seen. Light comes out of doorways and windows, and the women are lit by light from the street lamp above their heads, casting their shadows on the ground below them.
Allison is torn between her love for Lydia and settling down with Cal.

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Different

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Doctor of lesbos

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Duet in darkness

Duet in Darkness front cover: Two women are displayed in an indoors setting. One of them, a black woman with short, straight black hair, sits on the wooden floor in a white negligee. Her left side faces the reader, and she sits with her left leg bent at the knee and turned outward toward her back, her foot bare. Her left hand is posed on her left calf and has a ring on its ring finger. Her right hand touches the edge of a blue and black cushioned sofa to her right. Her head is turned sharply to her left, and she looks straight out at the reader with a serious expression on her face. In the background, beside her on the sofa, a redhead with straight hair to her shoulder sits, with both legs folded atop the seat, feet facing right of the image. She is wearing a short, denim skirt and a brown, sleeveless blouse with buttons at the front and a V-neck. Her left hand is blocked by the figure who sits on the floor, and her right hand is holding a cigarette, elbow rested on the back of the chair. She is almost facing the reader; her body slightly twisted to her right. Her head faces the reader, but her sight is directed toward the other woman, with a serious expression. The scene is lit with natural light coming slightly from the left, casting a shadow of the black woman on the sofa and on the brick wall in the background.
Mid 20th century morality tale cautioning readers against interracial relationships and lesbianism

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Either is love

Either is Love front cover. The image is occupied mostly by a brunette seen from her chest up, her face centred, and slightly tilted to her left. Her hair has a widow's peak and it is brushed upwards and towards the back; Her two hands are hugging the trunk of a tree in front and to the left of her, her left hand above her right hand facing the reader to the right of the image. She leans her head slightly against the trunk with the left side of her face, gazing downwards towards her left. She is wearing a black, swing coat with a V-neck. Behind her, a forested landscape is seen, apparently lit by moonlight. The image is set over a gray background that shows at the top.
After the death of her husband, the narrator revisits the letters she wrote to him confessing her romantic relationship with another woman before they met.

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Enough of sorrow

Enough of Sorrow by Jill Emerson (1965). The background is dark brown, with a rectangle containing the image, one-third from the top below the title. The partial face of a woman with brown eyes and bright red lipstick looks directly toward the reader through a slightly blurred window with water droplets. To the bottom centre, partially covering the main face, another figure of a brunette is seen, facing the reader, but with her eyes downcast. Her right arm is raised, bent at the elbow, with her hand buried in her long brown hair. She is wearing a dark brown slip covered by a translucent beige lounging gown. Her left shoulder is exposed. Her left hand is draped towards her right hip.
Karen's journey of self-discovery through love, lust, and alcohol.

Fever in the sun

Fever in the Sun front cover. A redhead woman is shown lying stretched on her back on a wicker lounger, diagonally filling the center of the image. She is wearing a pink negligee which is open on both sides, exposing her cupped-brassieres and panties. She is wearing a pink ribbon on her hair. Her face is turned toward her left and towards the reader, but her eyes focus on a man sitting at the edge of the lounger to her right and who leans over, looking directly at her, his right-hand firm over her on the seat of the lounger, and his left hand placed against the back of the chair. He is dressed in brown pants, a belt, and a purple, long-sleeved shirt with green stripes. The woman has her right hand around his neck. There is a plant on the ground, on the foreground, similar to the taro or elephant's ear plant. The background is a solid red, and there are four yellow looped lines around the cover's title toward the top left. The scene is lit from the front, top.

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Flesh is willing (The)

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Frustration

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Gay interlude

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Gay scene

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Her woman

Her Woman front cover. A woman is shown sitting in profile on a bed in the foreground, towards the bottom of the image. She has short brown hair and is dressed in a light blue, long-sleeved blouse with orange stripes, a red sash around her waist, and red leggings. She holds a cigarette in her left hand, and her right-hand rests on her bent left knee. Her face is slightly turned toward the reader, yet her eyes glance to her left, where another woman stands in the background. The standing woman is blonde with curly hair to her shoulders who stands in profile to the right of the image, her body facing away from the other woman but with her head and eyes turned toward her. She is wearing black lace panties and seems to be either dressing or undressing, the garment covering only part of her head and chest, left hand raised holding it over her head, right hand at chest level. The scene is lit from the front left.

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Hired girl

Hire hand front cover. A redhead woman sits on a wooden chair in the ground-level rain porch of a wooden structure. She is sitting with her legs sprawled, wearing a knee-high pink dress with short sleeves and buttons, and a V-neck, and she is barefoot. The right sleeve of the dress hangs over her shoulder. Her right hand is on her inner right thigh, while her left hand seems to be gesturing from behind the back of the chair. Her head is tilted to her left and slightly bowed down, and her eyes look to her right. Behind her there is a curtained, glass-pane window and a door and, to her left, a wooden rocker can be partially seen. To the far left of the image, the head of a man staring at her with a frown is seen, at a three-quarters angle away from the reader. Only the collar of his shirt is partially visible. A wooden post stands vertically between both figures, and a weed grows at the edge of the wooden deck, on the barren ground. From the lit areas, it seems that the sun is fairly low on the horizon, shining on them from the front left.
Straight pulp fiction

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Hours of rapture (The)

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House of sin: An original novel

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Illicit interlude

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Immoral

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/804/LPF-Immoral & Forbidden-Front.jpg

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In the shadows

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/808/LPF-In the Shadows-Front.jpg

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Labor of love (A)

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/810/LPF-A Labor of Love-Front.jpg

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Lap of luxury

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/811/LPF-Lap of Luxury-Front.jpg

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Lesbian in our society (The)

The Lesbian in Our Society front cover. A blond woman leans over to her left, her back to the reader at a three-quarter angle, at the left of the image and occupying most of the visual space. She is fully naked and is visible from her head to her calves. The book's title type covers her buttocks partially. Her legs seem to be together, and the back of her right arm is only partially visible, tucked in front of her hips. Her head is turned sharply to the right, and she looks over her right shoulder at something behind her, at a lower level. Her hair is tied at the back and is straight. Her expression is serene, yet ambiguous.
Erotica compiled as psychiatric case studies

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Man among women

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My sister, my love

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Needs we share (The)

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/822/LPF-The Needs We Share-Front.jpg

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Odd kind (The)

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/824/LPF-The Odd King-Front.jpg

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Operation sex

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Perfume and pain

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Pretty puppet

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Private party

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Problem child

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Return to Lesbos

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Roommates (The)

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/841/LPF-The Roommates-Front.jpg

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Set (The)

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Sex and the armed services

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Fictionalized sexual case studies

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Sex in the shadows

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Sex on the odd side

Love on the Odd Side front cover. Two female bodies appear to be naked, one next to the other, in mirrored, standing poses displayed from their ankles up. The image seems to be a photograph-based collage, so parts of their bodies are displayed while others are veiled in films of paint or ink. The women's backs face the reader, and their arms are, one on their hair, the other on their hips, in a mirrored way. The background is a diffused abstraction in oranges, yellows, reds and purples that center on an image that could resemble a uterus.

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Sexual behavior of the lesbian

Sexual Behaviour of the Lesbian front cover. The cover image is split into two spaces. The space on the left contains a black background with text. The space on the right contains an image of a naked blonde in profile, partly covered with a white cloth which wraps around the right and front part of her body. Her left side, which faces the reader, is partly exposed. She seems to be standing on a field of wildflowers. Her left leg is bent; foot pointed on the ground behind her. Her hands are on her shoulders as she gazes directly at the reader. Her hair is long, and her back is arched towards the back. The background is a texture of green, and the scene is lit from the top right.
Erotica compiled as psychiatric case studies

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She who strays

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/846/LPF-She Who Strays-Front.jpg

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Sins of Tonia (The)

The Sins of Tonia front cover. Over a blue and pink textured background, two women are shown. One, a blond in the foreground, is wearing a black lace brassiere and panties, with stockings and suspenders and a lace girdle. She stands at a three-quarter angle to the reader toward the left of the image and is removing a black negligee, which is over her head. She has a pearl necklace and looks straight forward toward the reader with her head slightly tilted to her right. In the background, a redhead is seen reclining on a bed or the ground, surrounded by cushions of many colours. Her head is tilted to her right and slightly bowed, and her eyes look straight at the blonde's legs. She is wearing a white negligee, her right hand on her hair, which is up in a bun behind her head. Her left arm is bent at the elbow and rests over a large, purple cushion. She is wearing earrings and bracelets on her left wrist. The scene is lit from the front and top. The image is surrounded by a white background.

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So strange a love

So Strange a Love front cover. The busts of two women take up most of the visual space. One of them, a redhead, is on the right of the image and in the foreground, in profile, facing left of the reader and looking toward the same direction. Her hair is up on a bun to the left of her head, and she looks forward with wide open, blue eyes, lips slightly parted. Her torso is naked, and she is wearing an earring. Beside her, on her right and facing the reader, stands a brunette, partially covered by the redhead. Her wavy, loose hair flips over her shoulders, and she is looking at the redhead with half-open eyes. Her torso, too, is naked. The background is purplish blue, and the scene is lit from the front-left.
'A strange story of a married couple, each enmeshed in an illicit affair with a younger woman, and the erotic love the two younger women found in one another.'

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Soft sin (The)

The Soft Sin front cover. Towards the bottom right of the image, a brunette faces the reader, visible from the chest up. Her hair is curly and apparently tied to the back in a pony tail, bangs across her forehead. She is wearing a long-sleeved white blouse, unbuttoned, revealing part of her breasts and her neck. She looks straight at the reader with half-closed eyes and lips slightly parted. Behind her is a pink couch facing the reader. On it lays a blonde with her back to the reader, head toward the left. Her hair seems to be in disarray. Her left arm hangs over the edge of the couch, hand rested on a black tiled floor, palm-up. She is wearing a light blue dress and a bracelet on her left wrist. The scene is lit from the front.

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Sorority sin

Sorority Sin front cover. Two women are seen in a bedroom. One, a blonde, faces the reader, sitting on a bed with her legs bent at the knees, feet pointing out to her right. She is wearing an orange satin night robe buttoned only above her stomach. A The left side of the robe hangs over her left arm, exposing the left half of her brassiere. Under the buttoned part of the robe, white panties can be partially seen. Her body leans against her left hand which is placed palm-down on the bed, and she touches her right ear with her right hand. In front of her, kneeling, a brunette with short hair can be partially seen. She wears a black blouse with sleeves rolled up to her elbows, a gold chain bracelet on her left wrist. Both women look at one another and the scene is lit from the front-left.

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Spare her heaven

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Strange breed

Strange Breed front cover. Two women are on a bed, seemingly naked and partially covered with sheets. One, a redhead woman, is closest to the viewer and lies on her back, head toward the left of the image, with eyes closed, a smile, and her hands folded over her chest, under which a sheet covers the rest of her body. She seems to have both her knees bent. Her face is fully lit. The other woman, a brunette, is next to her in the background, her feet facing the opposite direction to that of the redhead's. Her torso is leaning on her elbows, which rest on her slightly bent knees. Her back faces the viewer in a three-quarter angle and is fully bare. A ray of light shines on it. Her legs are covered with a sheet from her hip down. Her face is bowed down with eyes open, also looking down. Her hair is partly tied up behind her nape. The scene is lit from the top right.

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Strange delights

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