Browse Items (60 total)

  • Author Gender / Sexual Orientation is exactly "Male"

Enough of sorrow

Enough of Sorrow by Jill Emerson (1965). The background is dark brown, with a rectangle containing the image, one-third from the top below the title. The partial face of a woman with brown eyes and bright red lipstick looks directly toward the reader through a slightly blurred window with water droplets. To the bottom centre, partially covering the main face, another figure of a brunette is seen, facing the reader, but with her eyes downcast. Her right arm is raised, bent at the elbow, with her hand buried in her long brown hair. She is wearing a dark brown slip covered by a translucent beige lounging gown. Her left shoulder is exposed. Her left hand is draped towards her right hip.
Karen's journey of self-discovery through love, lust, and alcohol.

From torment to rapture

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Young and innocent

The heads of two women are centered over a brushstroke stripe of lime green over a solid, light tan background. A blonde in the foreground, a brunette partly behind her. The blonde has her eyes closed and her mouth is slightly open. Her hair is long and curly, and she is wearing earrings. The brunette, whose hair is short and curly, looks at her from behind her on the right of the image with her eyes slightly squinted and lips slightly parted. The scene is lit from the top right in a hard light.

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Twilight women

Two female heads are shown, faces looking straight forward. One face is closer to the foreground, on the left, and partly covers the other one. The face of the one in the foreground is coloured in bright pink and that of the one in the background is coloured in purple. Both have darkened, long straight hair, depicted in solid black ink. Based on the tones of colour used for the faces, and on the use of the black, the artist conveys the light in the scene as a hard light that comes from the front left.
Erotica compiled as psychiatric case studies

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Lesbos jungle

The Lesbos Jungle front cover. Two women in the image seem to attack a single man in what looks like a back street alley. A red brick wall is behind them. A garbage bin is partially shown in the foreground, and a wooden crate is partially revealed to the left. There is a bottle on the ground and a puddle. The blonde on the left of the image is shown ripping off the man's shirt, while the brunette on the right grasps his arm by the bicep. The women are fully dressed while the man wears jeans and boots; his belt is unbuckled, and his jeans are half-unzipped. The blonde is wearing a white, turtle-neck sweater, black leather pants and black leather boots and her hair is long, with bangs across her forehead. The brunette is wearing a white turtle-neck blouse under a black leather jacket, black leather stiletto boots and white pants. Her hair is short and wavy. The man looks surprised and scared, right arm bent, hand in front of his face as if trying to cover his eyes from the light that comes from the front left. His eyes and mouth are wide open.

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Guerrilla girls

Guerrilla Girls front cover. A group of four women stand or sit in front of military barracks. One is standing upright, to the left of the image, facing the reader, and is fully dressed in military garb, a weapon on her hip, cigarette hanging from her lips. She is a brunette, and her hair is short. Her pose is relaxed. Her gaze is directed at a seated woman to the right of the image, who has short hair and wears a blouse and short skirt and who is, with a slight smile, looking over her right shoulder towards a third woman who is also seated, on a purple cushion on the ground, and dressed in a blouse with rolled sleeves to her elbows, khaki shorts and boots, cleaning a long weapon with her legs crossed. Her hair is dark and curly, and she also seems to smile. Between them sits, her back to the reader, a fourth woman who appears to be fully naked. She has her arms up as if fixing her hair as she looks up toward the standing woman. In the background are two tents with red stripes, and to the left of the image stands a pair of long weapons fixed to a stand. The scene is lit from the front.
An adventure story of a group of European and Muslim female volunteers in a National Liberation Front camp in the Aures mountains, Algeria

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Rebel woman

Rebel Woman front cover. A blond, short-haired woman stands behind and gazes at a brunette woman who looks out at the reader. The brunette woman is in the center of the image holding a rifle with both hands, the rifle pointing up to the left of the image. The wind blows on her hair from the right. Both women wear military uniforms and stand in front of a house with lights glowing through its windows, and in front of a palm. The brunette's blouse's collar is half-unbuttoned from the top, showing cleavage. The blonde's pants are rolled to the knees, and she is not wearing boots. The scene is lit from the front right.

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Sex and the armed services

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Fictionalized sexual case studies

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Sexual behavior of the lesbian

Sexual Behaviour of the Lesbian front cover. The cover image is split into two spaces. The space on the left contains a black background with text. The space on the right contains an image of a naked blonde in profile, partly covered with a white cloth which wraps around the right and front part of her body. Her left side, which faces the reader, is partly exposed. She seems to be standing on a field of wildflowers. Her left leg is bent; foot pointed on the ground behind her. Her hands are on her shoulders as she gazes directly at the reader. Her hair is long, and her back is arched towards the back. The background is a texture of green, and the scene is lit from the top right.
Erotica compiled as psychiatric case studies

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Her woman

Her Woman front cover. A woman is shown sitting in profile on a bed in the foreground, towards the bottom of the image. She has short brown hair and is dressed in a light blue, long-sleeved blouse with orange stripes, a red sash around her waist, and red leggings. She holds a cigarette in her left hand, and her right-hand rests on her bent left knee. Her face is slightly turned toward the reader, yet her eyes glance to her left, where another woman stands in the background. The standing woman is blonde with curly hair to her shoulders who stands in profile to the right of the image, her body facing away from the other woman but with her head and eyes turned toward her. She is wearing black lace panties and seems to be either dressing or undressing, the garment covering only part of her head and chest, left hand raised holding it over her head, right hand at chest level. The scene is lit from the front left.

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This too is love

This Too is Love front cover. A blonde sits on a white, carpeted floor, leaning on her left elbow, supported by a pile of cushions. She is barefoot, and her stilettos are seen next to the cushions along with a pack of cigarettes and an open matchbook. She wears a red, short, velvet dress with multi-row spaghetti straps. She faces the reader in a three-quarter angle towards the center-right of the image, and her knees are bent, legs and feet close together. Her left foot is raised from the heel, the toes touching her right heel. She holds a cigarette in her right hand, which arches over her right knee. Her chin rests on the back of her left hand. Her face faces the reader, but her slightly squinted eyes look toward her right, where another woman sits up from a lying position, stretched on a camel-back green sofa on the right side of her body. The woman is a brunette with hair to her nape and is dressed in a yellow blouse and brown capri pants. Her left arm is stretched over her left leg, and her torso is slightly lifted, resting on her right elbow. She looks straight at the blond with a half-smile. The scene is lit from the left, with the most light placed on the blonde.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Strange breed

Strange Breed front cover. Two women are on a bed, seemingly naked and partially covered with sheets. One, a redhead woman, is closest to the viewer and lies on her back, head toward the left of the image, with eyes closed, a smile, and her hands folded over her chest, under which a sheet covers the rest of her body. She seems to have both her knees bent. Her face is fully lit. The other woman, a brunette, is next to her in the background, her feet facing the opposite direction to that of the redhead's. Her torso is leaning on her elbows, which rest on her slightly bent knees. Her back faces the viewer in a three-quarter angle and is fully bare. A ray of light shines on it. Her legs are covered with a sheet from her hip down. Her face is bowed down with eyes open, also looking down. Her hair is partly tied up behind her nape. The scene is lit from the top right.

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Strange ones (The)

The Strange Ones front cover. A woman in a satin nightgown is standing behind the headboard or footboard of a green, metal-framed bed shown in the foreground at a slight angle. The rest of the bed is outside the frame. She has long hair partially tied up at the back of her head. The straps of her nightgown are hanging over her arms, partially showing her chest. Both her arms are raised behind her head as if she were rearranging her hair. She is shown in profile from her thighs up, in the center of the image, her left side facing the reader. Her eyes are slightly closed, looking to her left, directly toward the reader. Behind her, to the right of the image, a man is shown leaning on his forearms against a door painted olive-green. His forehead is on his fists, which touch the door. His expression is tense or stressed. He is fully dressed in a long-sleeved, striped shirt, black pants and a belt. He is in full profile, the right side of his body facing the reader, and can be viewed from his knees up. The scene is lit from the front left.
Gay pulp fiction

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Third way (The)

The Third Way front cover. A blonde is shown in profile at the center of the image, sitting on the edge of a bed or arm-less couch. The right side of her body faces the reader. Her right knee is bent, foot hanging at the heel from the edge of the bed. She holds a light-blue towel against her naked body, hiding part of her breast, stomach and thigh. Her face is directed toward the reader, but her eyes look to her right, away from the reader. In the background, to the left of the image, stands a brunette with short hair, dressed in a tight, green dress with straps and a V-neck. The dress is knee-high and has a slit over her left thigh. She has her right hand on her hip and puffs from a cigarette held in her left hand, looking straight at the blonde, almost frowning. She is wearing high heels and earrings. The background only shows watery brushstrokes in green and yellow, and the scene is lit from the front left.

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Fever in the sun

Fever in the Sun front cover. A redhead woman is shown lying stretched on her back on a wicker lounger, diagonally filling the center of the image. She is wearing a pink negligee which is open on both sides, exposing her cupped-brassieres and panties. She is wearing a pink ribbon on her hair. Her face is turned toward her left and towards the reader, but her eyes focus on a man sitting at the edge of the lounger to her right and who leans over, looking directly at her, his right-hand firm over her on the seat of the lounger, and his left hand placed against the back of the chair. He is dressed in brown pants, a belt, and a purple, long-sleeved shirt with green stripes. The woman has her right hand around his neck. There is a plant on the ground, on the foreground, similar to the taro or elephant's ear plant. The background is a solid red, and there are four yellow looped lines around the cover's title toward the top left. The scene is lit from the front, top.

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Private party

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Lesbian in our society (The)

The Lesbian in Our Society front cover. A blond woman leans over to her left, her back to the reader at a three-quarter angle, at the left of the image and occupying most of the visual space. She is fully naked and is visible from her head to her calves. The book's title type covers her buttocks partially. Her legs seem to be together, and the back of her right arm is only partially visible, tucked in front of her hips. Her head is turned sharply to the right, and she looks over her right shoulder at something behind her, at a lower level. Her hair is tied at the back and is straight. Her expression is serene, yet ambiguous.
Erotica compiled as psychiatric case studies

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Third lust (The)

The Third Lust front cover. The setting is a living room with a green sofa, two coffee tables, and paintings on the background wall. A redhead lies on her back on the sofa, with her head propped on a white pillow, to the left of the reader. Her hair is in disarray and seems to be long and loose. She is wearing a white negligee, her right breast partially visible. Her legs are bent and she is touching her hair with both hands. She is looking up, with a slight smile and parted lips, at a brunette with short hair who stands in front of the sofa with her back fully towards the reader. She is wearing a black slip with lace and high heels, and is removing what appears to be a white silk blouse. Her head is tilted to the left and bowed forward, as if looking directly at the redhead on the sofa. In the foreground, to the right of the reader, a round coffee table with a glass top holds an ashtray. To the left of the reader, another table, wooden, holds a glass of wine. Behind the sofa, there is a wall with paintings and a wall candle holder. The scene is lit from the left of the reader, and a shadow is cast toward the top right.

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Sins of Tonia (The)

The Sins of Tonia front cover. Over a blue and pink textured background, two women are shown. One, a blond in the foreground, is wearing a black lace brassiere and panties, with stockings and suspenders and a lace girdle. She stands at a three-quarter angle to the reader toward the left of the image and is removing a black negligee, which is over her head. She has a pearl necklace and looks straight forward toward the reader with her head slightly tilted to her right. In the background, a redhead is seen reclining on a bed or the ground, surrounded by cushions of many colours. Her head is tilted to her right and slightly bowed, and her eyes look straight at the blonde's legs. She is wearing a white negligee, her right hand on her hair, which is up in a bun behind her head. Her left arm is bent at the elbow and rests over a large, purple cushion. She is wearing earrings and bracelets on her left wrist. The scene is lit from the front and top. The image is surrounded by a white background.

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Sorority sin

Sorority Sin front cover. Two women are seen in a bedroom. One, a blonde, faces the reader, sitting on a bed with her legs bent at the knees, feet pointing out to her right. She is wearing an orange satin night robe buttoned only above her stomach. A The left side of the robe hangs over her left arm, exposing the left half of her brassiere. Under the buttoned part of the robe, white panties can be partially seen. Her body leans against her left hand which is placed palm-down on the bed, and she touches her right ear with her right hand. In front of her, kneeling, a brunette with short hair can be partially seen. She wears a black blouse with sleeves rolled up to her elbows, a gold chain bracelet on her left wrist. Both women look at one another and the scene is lit from the front-left.

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Death of anger

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Voyage from Lesbos: the psychology of a female homosexual

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Lesbian twins

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House of sin: An original novel

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Pretty puppet

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Twisted path (The)

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Twilight girl

Twilight Girl front cover: Over a red, textured background, a bed with white sheets is placed sideways to the reader, at the bottom of the image. A pillow is placed on it, to the right of the reader. A blond woman with short, curly hair sits on the bed facing the reader, her body at a three-quarter angle facing right. Her legs are crossed under the knees and are at a diagonal angle, bare feet pointing out toward the left of the image. She wears a white slip and a white, strapless brassiere. Her right hand is placed over her chest as she leans on her left arm, which stretches out toward the pillow. Her head is slightly tilted to her right, and she looks down with a serious expression on her face. Behind the bed stands a brunette with short hair and bangs, to the far right of the image. She is wearing a black negligee and stands at a three-quarter angle facing left of the image. Her right arm is bent at the elbow; forearm placed over her stomach. Her left arm is also bent, elbow on her right hand stretched-out fingers, and a cigarette is lit in her hand, fingers bent and pointing upwards. She is looking down at the blonde with a stern expression, head raised slightly. The scene is lit from the top left, casting a shadow to the side of the bed facing the reader.
Lorraine ‘Lon’ Harris explores the Los Angeles lesbian bar scene.

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Hours of rapture (The)

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I, spanking lesbian

Spanking Lesbian front cover. The cover has a white background with the text, and a smaller square in the center, depicting an image of two naked women, both brunettes. One of them stands to the right of the image holding a stick with her left hand. Her hair is straight and long and covers her bare chest. She is leaning over another woman who lies on her stomach, head away from the reader. Her buttocks are fully visible from the back, and the stick that the other woman holds is over and across them. The headboard of the bed is partially seen in front of her head, which is partially visible under her shoulder blades. The scene is lit from the front right, seemingly with artificial light.
A collection of psycho-sexual 'case histories'

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Divided path (The)

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Perfume and pain

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Operation sex

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Lap of luxury

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Labor of love (A)

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Illicit interlude

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Forbidden

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Different

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Bit of fluff (A)

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Immoral

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Painted veils

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Satan's daughter

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Doctor of lesbos

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Portrait of a lesbian

Portrait of a lesbian front cover. A red and black halftone image of the face of a woman with short hair fills most of the space against a black background. The face occupies the right half of the cover, positioned at a three-quarter angle facing left of the reader. The woman's eyes look straight out at the reader, lit with hard light from the front-right. The title is at the top and is a combination of sans-serif and serif fonts.

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Charlene's aunt

Charlene's Aunt front cover. Over a white background with text at top third is a smaller image, underneath. It is a monochromatic drawing in sepia / reddish brown showing the busts of two women. The one on the right faces the reader, with her head, turned to her right and upwards, eyes closed and lips parted. She is wearing a ruffled blouse with a high collar, and her hair is long. Her right cheek is pressed against the right cheek of another woman whom she embraces, her right hand wrapping the back of her head. The other woman is in profile, facing the first woman, her torso naked. Her face is turned to her left into the other woman's right shoulder, and her right arm is stretched downwards. Her hair is also long. Above them is an ornamented frame in an Art Nouveau style.

Whisper of love

Whisper of Love front cover. The cover has a bluish-green background with a smaller rectangle to the bottom right, which contains an image of two women—a blonde with long hair and a brunette with short hair. The blonde is in the foreground and only her head and part of her left arm are visible. She is wearing a purple blouse with a round neckline and pleated, short sleeves. Her body is at a three-quarter angle facing left of the reader, and her head is turned to her left and down, as well as her eyes. Her left arm is bent and part of her hand is visible, lifted to her neck, which carries a necklace. The brunette is behind her, to the right of the reader, and is wearing a white blouse with buttons and a collar, and black pants or skirt with a black belt with a brass, square buckle. Her head is bowed and turned to her left, eyes looking down. Her left hand is on the blonde's left shoulder. The scene is lit from the top-right, in diffused light.
A marriage of convenience between Avery Lawes and Lisa Sheridan fails to offer the refuge they hoped it would.

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Split-level sin

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Diary of a dyke

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Damned one (The)

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Roommates (The)

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Queer patterns

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