Browse Items (60 total)

  • Author Gender / Sexual Orientation is exactly "Male"

Enough of sorrow

Enough of Sorrow by Jill Emerson (1965). The background is dark brown, with a rectangle containing the image, one-third from the top below the title. The partial face of a woman with brown eyes and bright red lipstick looks directly toward the reader through a slightly blurred window with water droplets. To the bottom centre, partially covering the main face, another figure of a brunette is seen, facing the reader, but with her eyes downcast. Her right arm is raised, bent at the elbow, with her hand buried in her long brown hair. She is wearing a dark brown slip covered by a translucent beige lounging gown. Her left shoulder is exposed. Her left hand is draped towards her right hip.
Karen's journey of self-discovery through love, lust, and alcohol.

Guerrilla girls

Guerrilla Girls front cover. A group of four women stand or sit in front of military barracks. One is standing upright, to the left of the image, facing the reader, and is fully dressed in military garb, a weapon on her hip, cigarette hanging from her lips. She is a brunette, and her hair is short. Her pose is relaxed. Her gaze is directed at a seated woman to the right of the image, who has short hair and wears a blouse and short skirt and who is, with a slight smile, looking over her right shoulder towards a third woman who is also seated, on a purple cushion on the ground, and dressed in a blouse with rolled sleeves to her elbows, khaki shorts and boots, cleaning a long weapon with her legs crossed. Her hair is dark and curly, and she also seems to smile. Between them sits, her back to the reader, a fourth woman who appears to be fully naked. She has her arms up as if fixing her hair as she looks up toward the standing woman. In the background are two tents with red stripes, and to the left of the image stands a pair of long weapons fixed to a stand. The scene is lit from the front.
An adventure story of a group of European and Muslim female volunteers in a National Liberation Front camp in the Aures mountains, Algeria

Honey at her lips

Honey at her lips front cover: A blonde with long, wavy hair faces the reader to the right of the image, standing in front of a white wall and a white door that is slightly ajar. She is seen from her thighs up, wrapped in a lace shawl with nothing else underneath, and which she holds together at stomach level with her right hand on her left hip. Her left arm is extended downwards, the hand at the front of her left thigh. Her bosom is partly exposed. She is looking straight out at the reader with her head slightly tilted down, left shoulder raised. The scene is lit from the front, and a shadow can be seen behind the opened door.
Honey at her Lips has no lesbian content. Dollar Books repackaged Newsstand Library's Honey Babe (Steve Bell) and The Third Theme (March Hastings) together in one volume with modified titles. The Third Theme has lesbian content.

I, spanking lesbian

Spanking Lesbian front cover. The cover has a white background with the text, and a smaller square in the center, depicting an image of two naked women, both brunettes. One of them stands to the right of the image holding a stick with her left hand. Her hair is straight and long and covers her bare chest. She is leaning over another woman who lies on her stomach, head away from the reader. Her buttocks are fully visible from the back, and the stick that the other woman holds is over and across them. The headboard of the bed is partially seen in front of her head, which is partially visible under her shoulder blades. The scene is lit from the front right, seemingly with artificial light.
A collection of psycho-sexual 'case histories'

Lesbian in our society (The)

The Lesbian in Our Society front cover. A blond woman leans over to her left, her back to the reader at a three-quarter angle, at the left of the image and occupying most of the visual space. She is fully naked and is visible from her head to her calves. The book's title type covers her buttocks partially. Her legs seem to be together, and the back of her right arm is only partially visible, tucked in front of her hips. Her head is turned sharply to the right, and she looks over her right shoulder at something behind her, at a lower level. Her hair is tied at the back and is straight. Her expression is serene, yet ambiguous.
Erotica compiled as psychiatric case studies

Sex and the armed services

LPF-Woodward-ArmedServices-Front.jpg
Fictionalized sexual case studies

Sexual behavior of the lesbian

Sexual Behaviour of the Lesbian front cover. The cover image is split into two spaces. The space on the left contains a black background with text. The space on the right contains an image of a naked blonde in profile, partly covered with a white cloth which wraps around the right and front part of her body. Her left side, which faces the reader, is partly exposed. She seems to be standing on a field of wildflowers. Her left leg is bent; foot pointed on the ground behind her. Her hands are on her shoulders as she gazes directly at the reader. Her hair is long, and her back is arched towards the back. The background is a texture of green, and the scene is lit from the top right.
Erotica compiled as psychiatric case studies

Strange ones (The)

The Strange Ones front cover. A woman in a satin nightgown is standing behind the headboard or footboard of a green, metal-framed bed shown in the foreground at a slight angle. The rest of the bed is outside the frame. She has long hair partially tied up at the back of her head. The straps of her nightgown are hanging over her arms, partially showing her chest. Both her arms are raised behind her head as if she were rearranging her hair. She is shown in profile from her thighs up, in the center of the image, her left side facing the reader. Her eyes are slightly closed, looking to her left, directly toward the reader. Behind her, to the right of the image, a man is shown leaning on his forearms against a door painted olive-green. His forehead is on his fists, which touch the door. His expression is tense or stressed. He is fully dressed in a long-sleeved, striped shirt, black pants and a belt. He is in full profile, the right side of his body facing the reader, and can be viewed from his knees up. The scene is lit from the front left.
Gay pulp fiction