Browse Items (12 total)

  • Lesbian Pulp Fiction Type is exactly "Female protagonist"

Diana

Diana, front cover: A blond woman with her arms folded stands on the right of the cover. She is dressed in a black jacket and pants. Her gaze is downwards and to the left away from the reader. In the background behind the blond woman is the face of a brown haired woman with red lipstick. She is looking directly at the reader.

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Edge of twilight

Edge of Twilight front cover. The faces and a torso of two women are drawn in ink and coloured separately, one in pink, the other in light blue, and with the solid black of the background to depict the shadowed areas. In the foreground to the bottom right of the image, only a face is seen, lit with a hard light coming from the right. Her gaze is directed to her bottom right with a calm expression. The other figure can be seen behind her, to the left of the image, face in full profile towards the right, with her eyes closed. Her face and torso are also lit by hard light coming from the top right.

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I am a woman

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/806/LPF-I Am a Woman-Front.jpg
Laura explores gay life in 1950s New York.

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Odd girl out

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Laura falls in love with her sorority suite mate, and finds herself entangled in a love triangle with Beth and Charlie

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Patience and Sarah

Patience and Sarah front cover. On a black background and to the bottom right of the image, two women are partially in view. They are both naked. The one on the left is sitting down, her back to the reader at a three-quarter angle toward the left, in a fetal position, her head fully tucked between crossed arms that wrap around her knees. Of the second woman, only part of her torso, right arm and left breast can be seen. She faces the other woman and rests her right hand over her left elbow, arm over the shoulder. The scene is lit from the bottom left, as with a spotlight. Around the women, everything is wrapped in darkness.

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Spring fire

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/853/LPF-Spring Fire-Front.jpg

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Third sex syndrome (The)

The Third Sex Syndrome front cover. A woman with long, pink wavy hair undresses (or dresses) in view of the reader. She is wearing panties. Her right arm covers her breasts as she removes (or puts on) her lower garment. In the background, a blond short-haired woman in an orange halter top and dark capri pants reclines on a white bed watching the woman in the foreground.
Sharon's affair with Leda allows her to work out her childhood traumas

Third theme (The)

The Third Theme Cover. Three figures occupy most of the image below the top quarter of the cover. One, centered at the bottom, is a brunette with wavy hair down to her shoulders, seen from her chest up. Her chest faces the reader squarely, and is partially exposed, showing her cleavage above an off-shoulders, strapless dress represented by white brushstrokes on the background yellow. Her head and eyes are turned to her left, eyes half-closed and mouth open, as if saying something, whilst frowning. Behind her in the background stand two figures in profile, their bodies facing right of the reader and at either side of the brunette's head. To the right stands a blonde with short hair, clad in a greenish-gray pantsuit and a pink blouse. Her head is fully turned to her right, looking at the brunette with sunglasses on her face and her right hand in her pocket. Behind her, and left of the image stands a man in a gray suit and a black tie who also looks at the brunette with arms crossed. His hair is short and black. The image is lit from the right.
Sharon's affair with Leda allows her to work out her childhood traumas

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This side of love

This Side of Love cover: The faces and a torso of two women are drawn in ink and coloured separately, one in pink, the other in light blue, and with the solid black of the background to depict the shadowed areas. In the foreground to the bottom right of the image, only a face is seen, lit with a hard light coming from the right. Her gaze is directed to her bottom right with a calm expression. The other figure can be seen behind her, to the left of the image, face in full profile towards the right, with her eyes closed. Her face and torso are also lit by hard light coming from the top right.

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Twilight girl

Twilight Girl front cover: Over a red, textured background, a bed with white sheets is placed sideways to the reader, at the bottom of the image. A pillow is placed on it, to the right of the reader. A blond woman with short, curly hair sits on the bed facing the reader, her body at a three-quarter angle facing right. Her legs are crossed under the knees and are at a diagonal angle, bare feet pointing out toward the left of the image. She wears a white slip and a white, strapless brassiere. Her right hand is placed over her chest as she leans on her left arm, which stretches out toward the pillow. Her head is slightly tilted to her right, and she looks down with a serious expression on her face. Behind the bed stands a brunette with short hair and bangs, to the far right of the image. She is wearing a black negligee and stands at a three-quarter angle facing left of the image. Her right arm is bent at the elbow; forearm placed over her stomach. Her left arm is also bent, elbow on her right hand stretched-out fingers, and a cigarette is lit in her hand, fingers bent and pointing upwards. She is looking down at the blonde with a stern expression, head raised slightly. The scene is lit from the top left, casting a shadow to the side of the bed facing the reader.
Lorraine ‘Lon’ Harris explores the Los Angeles lesbian bar scene.

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Whispered sex (The)

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Los Angeles was nothing like what Joyce expected it to be.

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Women in the shadows

http://ec.msvu.ca:8080/xmlui/bitstream/handle/10587/896/LPF-Women in the Shadows-Front.jpg
Race passing and passing for straight underscore the interrelationship tensions among Laura, Jack, Beebo, and Tris in 1950s New York.

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