Browse Items (19 total)

  • Cover Art Clothing and Fashion is exactly "Negligee"

Strangest marriage (The)

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Other side of desire (The)

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Enough of sorrow

Enough of Sorrow by Jill Emerson (1965). The background is dark brown, with a rectangle containing the image, one-third from the top below the title. The partial face of a woman with brown eyes and bright red lipstick looks directly toward the reader through a slightly blurred window with water droplets. To the bottom centre, partially covering the main face, another figure of a brunette is seen, facing the reader, but with her eyes downcast. Her right arm is raised, bent at the elbow, with her hand buried in her long brown hair. She is wearing a dark brown slip covered by a translucent beige lounging gown. Her left shoulder is exposed. Her left hand is draped towards her right hip.
Karen's journey of self-discovery through love, lust, and alcohol.

Unashamed (The)

The Unashamed front cover. The torsos of two women cover most of the space. One, a blonde with long, curly hair and bangs across her forehead, is to the right of the reader, sitting with her torso and her head leaned slightly to her right and forward, looking down with a slight smile and dressed in a white negligee. On her lap, a brunette with short hair leans over her head and right arm, her hand on the blonde's lap, which is covered in pink from the background. She is wearing a black negligee and her face is oriented toward the reader, turned up slightly towards her right and looking up with half-closed eyes. The scene is lit in diffused light that comes from the right.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Fever in the sun

Fever in the Sun front cover. A redhead woman is shown lying stretched on her back on a wicker lounger, diagonally filling the center of the image. She is wearing a pink negligee which is open on both sides, exposing her cupped-brassieres and panties. She is wearing a pink ribbon on her hair. Her face is turned toward her left and towards the reader, but her eyes focus on a man sitting at the edge of the lounger to her right and who leans over, looking directly at her, his right-hand firm over her on the seat of the lounger, and his left hand placed against the back of the chair. He is dressed in brown pants, a belt, and a purple, long-sleeved shirt with green stripes. The woman has her right hand around his neck. There is a plant on the ground, on the foreground, similar to the taro or elephant's ear plant. The background is a solid red, and there are four yellow looped lines around the cover's title toward the top left. The scene is lit from the front, top.

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Twilight girl

Twilight Girl front cover: Over a red, textured background, a bed with white sheets is placed sideways to the reader, at the bottom of the image. A pillow is placed on it, to the right of the reader. A blond woman with short, curly hair sits on the bed facing the reader, her body at a three-quarter angle facing right. Her legs are crossed under the knees and are at a diagonal angle, bare feet pointing out toward the left of the image. She wears a white slip and a white, strapless brassiere. Her right hand is placed over her chest as she leans on her left arm, which stretches out toward the pillow. Her head is slightly tilted to her right, and she looks down with a serious expression on her face. Behind the bed stands a brunette with short hair and bangs, to the far right of the image. She is wearing a black negligee and stands at a three-quarter angle facing left of the image. Her right arm is bent at the elbow; forearm placed over her stomach. Her left arm is also bent, elbow on her right hand stretched-out fingers, and a cigarette is lit in her hand, fingers bent and pointing upwards. She is looking down at the blonde with a stern expression, head raised slightly. The scene is lit from the top left, casting a shadow to the side of the bed facing the reader.
Lorraine ‘Lon’ Harris explores the Los Angeles lesbian bar scene.

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Whispered sex (The)

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Los Angeles was nothing like what Joyce expected it to be.

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Cloak of evil

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Duet in darkness

Duet in Darkness front cover: Two women are displayed in an indoors setting. One of them, a black woman with short, straight black hair, sits on the wooden floor in a white negligee. Her left side faces the reader, and she sits with her left leg bent at the knee and turned outward toward her back, her foot bare. Her left hand is posed on her left calf and has a ring on its ring finger. Her right hand touches the edge of a blue and black cushioned sofa to her right. Her head is turned sharply to her left, and she looks straight out at the reader with a serious expression on her face. In the background, beside her on the sofa, a redhead with straight hair to her shoulder sits, with both legs folded atop the seat, feet facing right of the image. She is wearing a short, denim skirt and a brown, sleeveless blouse with buttons at the front and a V-neck. Her left hand is blocked by the figure who sits on the floor, and her right hand is holding a cigarette, elbow rested on the back of the chair. She is almost facing the reader; her body slightly twisted to her right. Her head faces the reader, but her sight is directed toward the other woman, with a serious expression. The scene is lit with natural light coming slightly from the left, casting a shadow of the black woman on the sofa and on the brick wall in the background.
Mid 20th century morality tale cautioning readers against interracial relationships and lesbianism

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Spring fire

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Baby face

Baby Face front cover. The image is divided into two fields. The upper field shows black and blue text over a solid pink background. The bottom half of the cover contains the illustration of an indoors scene. One woman, a blonde, sits up against a pillow propped on the pink headboard of a bed that has pink sheets and pillowcase, and an orange blanket. The blonde's hair is combed up, with a lock falling over her right shoulder. Her head is bowed forward and her eyes are directed towards the reader, and she has a slight smile. She is wearing a white negligee, left strap down and right strap hanging over her arm. Her left leg is bent at the knee and sprawled open. She touches the blanket with her left hand and her face with her right hand. At the foot of a bed, a brunette with long hair sits, legs crossed. She too is wearing a white negligee and has her arms crossed over her knees. Her left hand lays rested over her thigh, palm-up. With her right hand, she holds up a hand mirror to her left. Her head is turned to her left but her eyes gaze directly towards the reader, with half-shut eyes and a slight smile on her lips. Behind them on the wall, a mirror can be partially seen, and a dresser. The wall has purple and pink wallpaper on it. The scene is lit from the front-left.

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Sins of Tonia (The)

The Sins of Tonia front cover. Over a blue and pink textured background, two women are shown. One, a blond in the foreground, is wearing a black lace brassiere and panties, with stockings and suspenders and a lace girdle. She stands at a three-quarter angle to the reader toward the left of the image and is removing a black negligee, which is over her head. She has a pearl necklace and looks straight forward toward the reader with her head slightly tilted to her right. In the background, a redhead is seen reclining on a bed or the ground, surrounded by cushions of many colours. Her head is tilted to her right and slightly bowed, and her eyes look straight at the blonde's legs. She is wearing a white negligee, her right hand on her hair, which is up in a bun behind her head. Her left arm is bent at the elbow and rests over a large, purple cushion. She is wearing earrings and bracelets on her left wrist. The scene is lit from the front and top. The image is surrounded by a white background.

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Third lust (The)

The Third Lust front cover. The setting is a living room with a green sofa, two coffee tables, and paintings on the background wall. A redhead lies on her back on the sofa, with her head propped on a white pillow, to the left of the reader. Her hair is in disarray and seems to be long and loose. She is wearing a white negligee, her right breast partially visible. Her legs are bent and she is touching her hair with both hands. She is looking up, with a slight smile and parted lips, at a brunette with short hair who stands in front of the sofa with her back fully towards the reader. She is wearing a black slip with lace and high heels, and is removing what appears to be a white silk blouse. Her head is tilted to the left and bowed forward, as if looking directly at the redhead on the sofa. In the foreground, to the right of the reader, a round coffee table with a glass top holds an ashtray. To the left of the reader, another table, wooden, holds a glass of wine. Behind the sofa, there is a wall with paintings and a wall candle holder. The scene is lit from the left of the reader, and a shadow is cast toward the top right.

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This bed we made

This Bed We Made front cover. Two women and one man are in a bedroom. A brunette with short, curly hair and a black negligee, lays on her back on a bed with a pink blanket, her shoulders and head on a propped-up pillow, looking slightly toward the right of the image with a slight smile and half-closed eyes. Behind the pillow, a wrought brass headboard is partly in view. Her left arm is bent at the elbow; hand curled inwards. She holds a cigarette in her right hand; outer side rested on her right thigh. She also wears stockings to the middle of her thighs. Sitting up on the bed by the brunette's legs is a blonde. Her body is at a three-quarter angle facing right of the image, and she appears to be fully naked except for a nylon, light blue shawl which is wrapped around her hips and across her chest, covering her breasts. She holds the shawl with both arms crossed in front of her under her breasts and on her right hip. Her hair is tied in a ponytail with a light green bow, and her head is turned towards the brunette. In the background to the left, a man stands against the wall. He has short, brown hair parted to the side, and is wearing a dark blue t-shirt and gray pants with a black belt. His right hand is on his waist; the left arm stretched down across his side. He also looks down toward the brunette, with a slight smile on his lips. To his left, a bowl with fruits can be seen on a bedside table. The background matches the pink of the bed spread, and the scene seems to be lit from the right of the reader.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Girls in 3-B (The)

The Girls in 3-B front cover. Three women form a triangle inside what looks to be the bedroom of a city apartment. One, a blonde, stands in the background facing the reader, leaning against a wall beside a window. Her hair is shoulder-length and she is holding a cigarette in her right hand. Her right arm is fully extended downward and she grips it, with her right hand, at the elbow. She is wearing an orange jacket, unbuttoned, a brown skirt, and low heels stilettos. Her left leg is slightly bent, with the foot to her side, pointing out. She looks down to her left at another woman, a brunette with short hair, who sits on a bed with red and white undone sheets, putting on a stocking on her left leg. She sits in full profile, facing left of the image, and is wearing a black negligee and low heel stilettos on her right foot. The right leg shows a stocking at mid-thigh, and the left foot is bare. A third woman, also a brunette, stands with her back to the reader on the forefront left of the image. She wears a black slip and looks as if she is about to take off a blue blouse. Her hair is long and reaches the middle of her back, part of which is exposed. She too is looking at the brunette. There is a side table in the background, with a potted plant on top, and a pair of slippers on the ground. The scene is lit from the front right.
Three high school friends share an apartment in Chicago.

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Return to Lesbos

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Whisper their love

Whisper Their Love front cover. A brunette with short, curly hair is shown to the far right side of the image sitting down. Part of one of her legs is visible, showing the hem of a blue skirt and part of her shin. She is wearing a yellow, long-sleeved blouse which is buttoned at the cleavage level. Her face is slightly tilted to her right and to the back, and her gaze is relaxed and directed toward another woman, a redhead, who is sitting on the ground beside her with her body leaned over her lap and her right arm bent over the brunette's lap. Her eyes are green eyes and she is wearing a negligee with lace on its upper part, and straps. The brunette strokes her hair with her left hand, and the redhead's head is slightly curling over her right shoulder as she looks directly at the reader with a smile. To the left, in the background, a green night table is seen against a wall, with a table lamp on top which illuminates the wall in two places, over and under its shade. To the right of the image, around the brunette's left side, rays of light can be seen, seemingly coming through a window with blinds over it. The image is set over a yellow background seen at the top and the bottom of the cover.

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Strange path (The)

The Strange Path front cover. Two women appear facing the reader, to the right of the image. One, a blonde with long, curly hair wearing a light-blue negligee, is sitting on a bed, legs folded under her body as she gazes at the reader with half-shut eyes and mouth slightly open. Her right-hand plays with a lock of her hair over her chest, the weight of her body on her stretched left arm. The left strap of her negligee hangs over her elbow. The other woman, a brunette with short hair, stands behind her, to the right of the image and facing the reader at a three-quarter angle towards the left. She is dressed in a blue cardigan and what seem to be black pants. Her head is upright, and her gaze is directed downward toward the blonde as she rests her right hand on the blonde's right shoulder. Her left fingers touch the blonde's left shoulder. On the wall behind them, the lights and shadows of window panes are cast, as well as their own shadows, and the light reflected seems like that of morning sunshine.

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We too are drifting

We Too Are Drifting front cover. Two women occupy most of the visual space. One is standing on the left of the image, her back to the reader, and seen from her calves up. She has blond, short hair and is wearing a white and red-stripped male pajama top with the sleeves rolled up to her forearms. Her legs are slightly spread, shoulder-width. Her gaze is directed downward from her right shoulder toward another woman sitting behind her, a brunette with her hair tied in a bun, neck-high. She is wearing a black negligee and is sitting on her folded legs with hands together between her thighs. She seems to have her eyes closed and, like the other woman, has her face wrapped in a shadow. A beam of warm light illuminates them both partly from the right of the image.

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