Browse Items (28 total)

  • Cover Art Clothing and Fashion is exactly "Dress"

Damned one (The)

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Death of anger

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Delicate vice (The)

The Delicate Vice front cover. The scene is an urban scene at night. Two women, one brunette and one blonde, stand to the left of the image. The blonde has her back towards the reader at a three-quarter angle to the left and is wearing a yellow dress, adjusted to her waist and with a slit at the right to mid-thigh. She is wearing white, low heels and is leaning against a cast-iron lighting pole to her left. She holds a cigarette in her right hand, arms stretched downwards. Her hair curls upwards over her ears. The brunette is standing to her left, facing the reader. She is wearing a purple blouse with short sleeves and a V-neck, and slim-fit black pants to her ankles, with black, flat shoes. Her hair is short and her legs are parted, left hand's thumb tucked inside her pants' pocket. She looks down at the blonde's chest. Behind the women, a street with buildings with neon lights is seen. Light comes out of doorways and windows, and the women are lit by light from the street lamp above their heads, casting their shadows on the ground below them.
Allison is torn between her love for Lydia and settling down with Cal.

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Different

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Hired girl

Hire hand front cover. A redhead woman sits on a wooden chair in the ground-level rain porch of a wooden structure. She is sitting with her legs sprawled, wearing a knee-high pink dress with short sleeves and buttons, and a V-neck, and she is barefoot. The right sleeve of the dress hangs over her shoulder. Her right hand is on her inner right thigh, while her left hand seems to be gesturing from behind the back of the chair. Her head is tilted to her left and slightly bowed down, and her eyes look to her right. Behind her there is a curtained, glass-pane window and a door and, to her left, a wooden rocker can be partially seen. To the far left of the image, the head of a man staring at her with a frown is seen, at a three-quarters angle away from the reader. Only the collar of his shirt is partially visible. A wooden post stands vertically between both figures, and a weed grows at the edge of the wooden deck, on the barren ground. From the lit areas, it seems that the sun is fairly low on the horizon, shining on them from the front left.
Straight pulp fiction

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Hours of rapture (The)

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House of sin: An original novel

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Illicit interlude

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Lion house (The)

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Loving and the daring (The)

The Loving and the Daring front cover. To the left of the image, a woman, redhead, is shown descending the steps of a stone stairway with a wrought iron railing. She wears a green, knee-high skirt, an orange-red cardigan, and brown, high heel shoes. Her left hand is on the railing, her right arm is stretched over her right side. Her eyes are slightly closed and look toward another woman, whose face and shoulders are seen in the foreground, to the bottom-right of the image. She is a brunette with short, curly hair. Her face is heavily made up and partly faces the reader, slightly bent towards the right bottom corner of the image. Her eyes are slightly closed and look back toward the woman on the stairway but do not look straight at her. Her lips are slightly parted and her eyebrows appear raised. She seems to be wearing an off-shoulders gold and black-trimmed gown, and earrings. The scene is lit from the top left.

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Marriage (The)

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No lesbian content. The narrators are a lesbian and a gay man who married in order to pass as straight. They tell the story of a married couple who belatedly discover that they are siblings.

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My name is Sappho

My Name is Sappho front cover. The scene is outdoors, at and around a Greek temple which shows partially to the left of the image, revealing one column and partially revealing its frieze, architrave and cornice. Steps are also visible at the bottom left. A brunette (presumably Sappho) stands in front of the column. She has her hair up and a white headband around it. A large, looped earring can also be seen on her right earlobe. She is wearing a white, sleeveless, long dress with a high slit over her right thigh, and a V-neck, and is barefoot, her right foot pointing atop the ground behind her body. The woman faces right at a three-quarter angle to the reader, and carries a barbiton, a classical Greek stringed-instrument, in her hands, diagonally in front of her body. Her gaze is lost in the distance. A heavily-clouded sky can be seen behind and over her, and a water body surrounded by buildings and trees, with can be seen in the bottom right of the image. The sun is behind a mountain in the distance, casting a shadow of the woman on the column.

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Olivia

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Pretty puppet

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Price of salt (The)

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Private party

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Roommates (The)

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Soft sin (The)

The Soft Sin front cover. Towards the bottom right of the image, a brunette faces the reader, visible from the chest up. Her hair is curly and apparently tied to the back in a pony tail, bangs across her forehead. She is wearing a long-sleeved white blouse, unbuttoned, revealing part of her breasts and her neck. She looks straight at the reader with half-closed eyes and lips slightly parted. Behind her is a pink couch facing the reader. On it lays a blonde with her back to the reader, head toward the left. Her hair seems to be in disarray. Her left arm hangs over the edge of the couch, hand rested on a black tiled floor, palm-up. She is wearing a light blue dress and a bracelet on her left wrist. The scene is lit from the front.

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Strange friends

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A Danish love story

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Third street (The)

The Third Street front cover. The cover shows a night scene, outdoors in a city or town street. Two women, their backs to the reader, walk holding hands. The one on the left is a blonde with hair flipped outwards at her shoulders. She is wearing a yellow, sleeveless dress with an adjusted waist, and black, high heels. She carries a clutch-type black handbag in her left hand and her head is turned sharply to her right, looking straight out at the other woman, a brunette with short hair who is wearing a black blouse with long sleeves, brown pants tapered at the ankles, and black low heels. Her right arm is extended downwards. The street looks wet and there are buildings, some neon signs and a lamp post in the background. The scene is lit from the top right.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Third theme (The)

The Third Theme Cover. Three figures occupy most of the image below the top quarter of the cover. One, centered at the bottom, is a brunette with wavy hair down to her shoulders, seen from her chest up. Her chest faces the reader squarely, and is partially exposed, showing her cleavage above an off-shoulders, strapless dress represented by white brushstrokes on the background yellow. Her head and eyes are turned to her left, eyes half-closed and mouth open, as if saying something, whilst frowning. Behind her in the background stand two figures in profile, their bodies facing right of the reader and at either side of the brunette's head. To the right stands a blonde with short hair, clad in a greenish-gray pantsuit and a pink blouse. Her head is fully turned to her right, looking at the brunette with sunglasses on her face and her right hand in her pocket. Behind her, and left of the image stands a man in a gray suit and a black tie who also looks at the brunette with arms crossed. His hair is short and black. The image is lit from the right.
Sharon's affair with Leda allows her to work out her childhood traumas

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Third way (The)

The Third Way front cover. A blonde is shown in profile at the center of the image, sitting on the edge of a bed or arm-less couch. The right side of her body faces the reader. Her right knee is bent, foot hanging at the heel from the edge of the bed. She holds a light-blue towel against her naked body, hiding part of her breast, stomach and thigh. Her face is directed toward the reader, but her eyes look to her right, away from the reader. In the background, to the left of the image, stands a brunette with short hair, dressed in a tight, green dress with straps and a V-neck. The dress is knee-high and has a slit over her left thigh. She has her right hand on her hip and puffs from a cigarette held in her left hand, looking straight at the blonde, almost frowning. She is wearing high heels and earrings. The background only shows watery brushstrokes in green and yellow, and the scene is lit from the front left.

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This too is love

This Too is Love front cover. A blonde sits on a white, carpeted floor, leaning on her left elbow, supported by a pile of cushions. She is barefoot, and her stilettos are seen next to the cushions along with a pack of cigarettes and an open matchbook. She wears a red, short, velvet dress with multi-row spaghetti straps. She faces the reader in a three-quarter angle towards the center-right of the image, and her knees are bent, legs and feet close together. Her left foot is raised from the heel, the toes touching her right heel. She holds a cigarette in her right hand, which arches over her right knee. Her chin rests on the back of her left hand. Her face faces the reader, but her slightly squinted eyes look toward her right, where another woman sits up from a lying position, stretched on a camel-back green sofa on the right side of her body. The woman is a brunette with hair to her nape and is dressed in a yellow blouse and brown capri pants. Her left arm is stretched over her left leg, and her torso is slightly lifted, resting on her right elbow. She looks straight at the blond with a half-smile. The scene is lit from the left, with the most light placed on the blonde.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Twice as gay

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Twilight lovers

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A paperback original. This book was published as a mass-market paperback without a hardcover printing.

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Twisted path (The)

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Unnatural

Unnatural front cover. Towards the bottom right of the image, a blonde with hair to her shoulders stands, seen from her chest up. She stands at a three-quarter angle facing right of the reader, and her head is slightly tilted in the same direction. Her right hand is raised to her chest level, holding a lit cigarette. She is wearing a strapless white dress that shows her cleavage, and a layered necklace with gems and stones. Her eyes are half-closed and look towards her right, and she is smiling slightly. Behind her in the background, the figure of another woman, a brunette, can be seen standing naked, in the process of removing a white blouse which is already over her head. She stands next to what looks like a closet with red doors. Her back is lit by hard light coming from the top left of the image. Below the cover art, there is a yellow stripe with a brief description of the novel.
Allison is torn between her love for Lydia and settling down with Cal.

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We two won't last

We Two Won't Last front cover. The background color, a dark pink, occupies most of the image. Two women appear, small and centered, between two words of the book's title. One is a brunette on a chair, and she sits with her bowed head and her knees pointed to the right and her torso turned sharply to her right, facing the reader. Both of her hands grasp the edge of the chair, towards her back, and they face the reader. She wears a brown dress with a round, white collar. Another woman, a redhead, stands behind her, to her left, partially covered by her and the chair. She is facing left of the reader, in profile, with her head bowed, and she wears a dress and high heels. She looks pregnant. The scene is lit from the top right of the image, casting shadows.
Journalistic portraits of lesbian subcultures in and around New York

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