Browse Items (98 total)

  • Cover Art Style is exactly "Cover art bleeds to edges"

Three strange women

Three Strange Woment front cover: Against a gray background there are two women. One is in the background standing in the center, her body facing right of the reader. She is a blonde with short hair brushed back and is wearing a brown skirt and a white blouse, which she seems to start to remove, revealing a white brassiere. Her face is frontal, slightly tilted to her left, and she gazes straight out at the reader. The other woman is a redhead with short, curly hair who is lying down in the foreground, her body facing the reader, head to the left of the image. She is wearing a white peignoir, her left shoulder exposed by the sleeve that hangs over it. Her left arm is bent, hand to the left of the image, and she is hugging a purple pillow with both hands, with her torso raised. Her right leg is bent, with the knee pointing forward, and uncovered. There is a beaded curtain between the two women, and the scene is lit from the front with hard light.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

We two won't last

We Two Won't Last front cover. The background color, a dark pink, occupies most of the image. Two women appear, small and centered, between two words of the book's title. One is a brunette on a chair, and she sits with her bowed head and her knees pointed to the right and her torso turned sharply to her right, facing the reader. Both of her hands grasp the edge of the chair, towards her back, and they face the reader. She wears a brown dress with a round, white collar. Another woman, a redhead, stands behind her, to her left, partially covered by her and the chair. She is facing left of the reader, in profile, with her head bowed, and she wears a dress and high heels. She looks pregnant. The scene is lit from the top right of the image, casting shadows.
Journalistic portraits of lesbian subcultures in and around New York

Marriage (The)

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No lesbian content. The narrators are a lesbian and a gay man who married in order to pass as straight. They tell the story of a married couple who belatedly discover that they are siblings.

Odd girl out

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Laura falls in love with her sorority suite mate, and finds herself entangled in a love triangle with Beth and Charlie

Women in the shadows

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Race passing and passing for straight underscore the interrelationship tensions among Laura, Jack, Beebo, and Tris in 1950s New York.

Honey at her lips

Honey at her lips front cover: A blonde with long, wavy hair faces the reader to the right of the image, standing in front of a white wall and a white door that is slightly ajar. She is seen from her thighs up, wrapped in a lace shawl with nothing else underneath, and which she holds together at stomach level with her right hand on her left hip. Her left arm is extended downwards, the hand at the front of her left thigh. Her bosom is partly exposed. She is looking straight out at the reader with her head slightly tilted down, left shoulder raised. The scene is lit from the front, and a shadow can be seen behind the opened door.
Honey at her Lips has no lesbian content. Dollar Books repackaged Newsstand Library's Honey Babe (Steve Bell) and The Third Theme (March Hastings) together in one volume with modified titles. The Third Theme has lesbian content.

Delicate vice (The)

The Delicate Vice front cover. The scene is an urban scene at night. Two women, one brunette and one blonde, stand to the left of the image. The blonde has her back towards the reader at a three-quarter angle to the left and is wearing a yellow dress, adjusted to her waist and with a slit at the right to mid-thigh. She is wearing white, low heels and is leaning against a cast-iron lighting pole to her left. She holds a cigarette in her right hand, arms stretched downwards. Her hair curls upwards over her ears. The brunette is standing to her left, facing the reader. She is wearing a purple blouse with short sleeves and a V-neck, and slim-fit black pants to her ankles, with black, flat shoes. Her hair is short and her legs are parted, left hand's thumb tucked inside her pants' pocket. She looks down at the blonde's chest. Behind the women, a street with buildings with neon lights is seen. Light comes out of doorways and windows, and the women are lit by light from the street lamp above their heads, casting their shadows on the ground below them.
Allison is torn between her love for Lydia and settling down with Cal.

Third street (The)

The Third Street front cover. The cover shows a night scene, outdoors in a city or town street. Two women, their backs to the reader, walk holding hands. The one on the left is a blonde with hair flipped outwards at her shoulders. She is wearing a yellow, sleeveless dress with an adjusted waist, and black, high heels. She carries a clutch-type black handbag in her left hand and her head is turned sharply to her right, looking straight out at the other woman, a brunette with short hair who is wearing a black blouse with long sleeves, brown pants tapered at the ankles, and black low heels. Her right arm is extended downwards. The street looks wet and there are buildings, some neon signs and a lamp post in the background. The scene is lit from the top right.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

Twilight lovers

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A paperback original. This book was published as a mass-market paperback without a hardcover printing.

Third theme (The)

The Third Theme Cover. Three figures occupy most of the image below the top quarter of the cover. One, centered at the bottom, is a brunette with wavy hair down to her shoulders, seen from her chest up. Her chest faces the reader squarely, and is partially exposed, showing her cleavage above an off-shoulders, strapless dress represented by white brushstrokes on the background yellow. Her head and eyes are turned to her left, eyes half-closed and mouth open, as if saying something, whilst frowning. Behind her in the background stand two figures in profile, their bodies facing right of the reader and at either side of the brunette's head. To the right stands a blonde with short hair, clad in a greenish-gray pantsuit and a pink blouse. Her head is fully turned to her right, looking at the brunette with sunglasses on her face and her right hand in her pocket. Behind her, and left of the image stands a man in a gray suit and a black tie who also looks at the brunette with arms crossed. His hair is short and black. The image is lit from the right.
Sharon's affair with Leda allows her to work out her childhood traumas

Unashamed (The)

The Unashamed front cover. The torsos of two women cover most of the space. One, a blonde with long, curly hair and bangs across her forehead, is to the right of the reader, sitting with her torso and her head leaned slightly to her right and forward, looking down with a slight smile and dressed in a white negligee. On her lap, a brunette with short hair leans over her head and right arm, her hand on the blonde's lap, which is covered in pink from the background. She is wearing a black negligee and her face is oriented toward the reader, turned up slightly towards her right and looking up with half-closed eyes. The scene is lit in diffused light that comes from the right.
A paperback original. This book was published as a mass-market paperback without a hardcover printing.

Third sex syndrome (The)

The Third Sex Syndrome front cover. A woman with long, pink wavy hair undresses (or dresses) in view of the reader. She is wearing panties. Her right arm covers her breasts as she removes (or puts on) her lower garment. In the background, a blond short-haired woman in an orange halter top and dark capri pants reclines on a white bed watching the woman in the foreground.
Sharon's affair with Leda allows her to work out her childhood traumas