Browse Items (68 total)

  • Cover Art Setting is exactly "Undefined "

Bitter love

Alexandra deals with the fact that her husband is having an affair with another man.

Carol in a thousand cities: a Gold Medal anthology

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Charlene's aunt

Charlene's Aunt front cover. Over a white background with text at top third is a smaller image, underneath. It is a monochromatic drawing in sepia / reddish brown showing the busts of two women. The one on the right faces the reader, with her head, turned to her right and upwards, eyes closed and lips parted. She is wearing a ruffled blouse with a high collar, and her hair is long. Her right cheek is pressed against the right cheek of another woman whom she embraces, her right hand wrapping the back of her head. The other woman is in profile, facing the first woman, her torso naked. Her face is turned to her left into the other woman's right shoulder, and her right arm is stretched downwards. Her hair is also long. Above them is an ornamented frame in an Art Nouveau style.

Chris

Chris front cover. The face of a blond woman with head leaned back looking directly toward the reader and bathed in a red light dominates the image on all the edges, as a background. Her mouth is in rest and her eyes are half-closed. To the bottom right, and partially covering the blonde's face, another figure of a blonde is seen, with her back to the reader. She has long, wavy hair, bangs hanging over her eyebrows. Her body is twisted to the front and left, and her head hangs down to the left, equally turned and with eye closed. Her arms are crossed across her chest, both hands clasped to the other arm. She wears a black skirt that is unzipped at the back and her entire back is bare. The scene is lit from the front-left.
Chris faces a difficult choice between her relationship with Shelia "Dizz" Dizendorf and the hope of happiness with Carol Martin

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Cloak of evil

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Damned one (The)

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Dangerous games (The)

The Dangerous Games front cover. A brunette is heel sitting on the ground, left foot under her thigh and left knee touching the ground, and right knee slightly off the ground. She is naked and faces the viewer, off-center to the right of the image. Both her arms are crossed over her chest, hands grasping the arms, and her head is slightly tilted to the back and to her left. Her hair is waist-long, with bangs across her forehead. She looks straight toward the viewer with slightly closed eyes, a relaxed expression, and a slight smile. The background is light purple and yellow, the yellow placed vertically in the center conveying a ray of light. The scene is lit from the top right.

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Dark side of Venus (The)

The Dark Side of Venus front cover. The silhouettes of two women's faces, one with short hair the other with long hair, occupy the bottom half of the space. The woman with short hair is in profile in the foreground, looking towards the right of the reader. The one with long hair is facing the reader and is in the background, to the left of the image, and seen from her chest up. Above them is a dark square background to the title and authors' names. The scene is lit from the back right.

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Diana

Diana, front cover: A blond woman with her arms folded stands on the right of the cover. She is dressed in a black jacket and pants. Her gaze is downwards and to the left away from the reader. In the background behind the blond woman is the face of a brown haired woman with red lipstick. She is looking directly at the reader.

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Diary of a dyke

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Different

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Divided path (The)

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Edge of twilight

Edge of Twilight front cover. The faces and a torso of two women are drawn in ink and coloured separately, one in pink, the other in light blue, and with the solid black of the background to depict the shadowed areas. In the foreground to the bottom right of the image, only a face is seen, lit with a hard light coming from the right. Her gaze is directed to her bottom right with a calm expression. The other figure can be seen behind her, to the left of the image, face in full profile towards the right, with her eyes closed. Her face and torso are also lit by hard light coming from the top right.

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Evil friendship (The)

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Fever in the sun

Fever in the Sun front cover. A redhead woman is shown lying stretched on her back on a wicker lounger, diagonally filling the center of the image. She is wearing a pink negligee which is open on both sides, exposing her cupped-brassieres and panties. She is wearing a pink ribbon on her hair. Her face is turned toward her left and towards the reader, but her eyes focus on a man sitting at the edge of the lounger to her right and who leans over, looking directly at her, his right-hand firm over her on the seat of the lounger, and his left hand placed against the back of the chair. He is dressed in brown pants, a belt, and a purple, long-sleeved shirt with green stripes. The woman has her right hand around his neck. There is a plant on the ground, on the foreground, similar to the taro or elephant's ear plant. The background is a solid red, and there are four yellow looped lines around the cover's title toward the top left. The scene is lit from the front, top.

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Gay ritual

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Gay scene

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Honey at her lips

Honey at her lips front cover: A blonde with long, wavy hair faces the reader to the right of the image, standing in front of a white wall and a white door that is slightly ajar. She is seen from her thighs up, wrapped in a lace shawl with nothing else underneath, and which she holds together at stomach level with her right hand on her left hip. Her left arm is extended downwards, the hand at the front of her left thigh. Her bosom is partly exposed. She is looking straight out at the reader with her head slightly tilted down, left shoulder raised. The scene is lit from the front, and a shadow can be seen behind the opened door.
Honey at her Lips has no lesbian content. Dollar Books repackaged Newsstand Library's Honey Babe (Steve Bell) and The Third Theme (March Hastings) together in one volume with modified titles. The Third Theme has lesbian content.

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House of sin: An original novel

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I am a woman

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Laura explores gay life in 1950s New York.

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In the shadows

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Lesbian in our society (The)

The Lesbian in Our Society front cover. A blond woman leans over to her left, her back to the reader at a three-quarter angle, at the left of the image and occupying most of the visual space. She is fully naked and is visible from her head to her calves. The book's title type covers her buttocks partially. Her legs seem to be together, and the back of her right arm is only partially visible, tucked in front of her hips. Her head is turned sharply to the right, and she looks over her right shoulder at something behind her, at a lower level. Her hair is tied at the back and is straight. Her expression is serene, yet ambiguous.
Erotica compiled as psychiatric case studies

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Libido beach

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Loving and the daring (The)

The Loving and the Daring front cover. To the left of the image, a woman, redhead, is shown descending the steps of a stone stairway with a wrought iron railing. She wears a green, knee-high skirt, an orange-red cardigan, and brown, high heel shoes. Her left hand is on the railing, her right arm is stretched over her right side. Her eyes are slightly closed and look toward another woman, whose face and shoulders are seen in the foreground, to the bottom-right of the image. She is a brunette with short, curly hair. Her face is heavily made up and partly faces the reader, slightly bent towards the right bottom corner of the image. Her eyes are slightly closed and look back toward the woman on the stairway but do not look straight at her. Her lips are slightly parted and her eyebrows appear raised. She seems to be wearing an off-shoulders gold and black-trimmed gown, and earrings. The scene is lit from the top left.

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Marriage (The)

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No lesbian content. The narrators are a lesbian and a gay man who married in order to pass as straight. They tell the story of a married couple who belatedly discover that they are siblings.

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My sister, my love

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Of love forbidden

Of Love Forbidden front cover. A naked woman is sitting on the floor facing the viewer with arms and legs crossed, her chin resting on her right, bent knee. The background is a textured turquoise colour field, and the scene is lit from the top right in a hard light.
Paperback reprint of a pre-1950s lesbian-themed novel

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Olga

Olga front cover. A naked brunette kneels on her right knee, sideways to the reader, to the left of the image. Her left thigh is horizontal to the view, slightly raised from her pointed foot, and her left arm stretches over it, partly covering her breasts, palm down. She looks slightly upwards over her left shoulder. Her hair is partly up and has adornments, and she is wearing earrings. Behind her and to the right of the image stands, upright, a short-haired blonde, dressed in blue pants, a light-blue silk blouse and black, high heel, leather boots, head bowed looking down at the brunette with a stern expression on her face. Her right boot is perpendicular to her left boot, her left arm hanging over the side of her body. The scene is lit from the front left.

Olivia

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Operation sex

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Other side of desire (The)

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Patience and Sarah

Patience and Sarah front cover. On a black background and to the bottom right of the image, two women are partially in view. They are both naked. The one on the left is sitting down, her back to the reader at a three-quarter angle toward the left, in a fetal position, her head fully tucked between crossed arms that wrap around her knees. Of the second woman, only part of her torso, right arm and left breast can be seen. She faces the other woman and rests her right hand over her left elbow, arm over the shoulder. The scene is lit from the bottom left, as with a spotlight. Around the women, everything is wrapped in darkness.

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Perfume and pain

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Portrait of a lesbian

Portrait of a lesbian front cover. A red and black halftone image of the face of a woman with short hair fills most of the space against a black background. The face occupies the right half of the cover, positioned at a three-quarter angle facing left of the reader. The woman's eyes look straight out at the reader, lit with hard light from the front-right. The title is at the top and is a combination of sans-serif and serif fonts.

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Pretty puppet

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Satan's daughter

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Set (The)

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Sex on the odd side

Love on the Odd Side front cover. Two female bodies appear to be naked, one next to the other, in mirrored, standing poses displayed from their ankles up. The image seems to be a photograph-based collage, so parts of their bodies are displayed while others are veiled in films of paint or ink. The women's backs face the reader, and their arms are, one on their hair, the other on their hips, in a mirrored way. The background is a diffused abstraction in oranges, yellows, reds and purples that center on an image that could resemble a uterus.

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Shockproof Sydney Skate

Shockproof Sydney Skate front cover. Against a white background, a totem-like wooden figurine is shown, with two figures carved on it. The top figure represents a woman, fully frontal, with brown, straight short hair parted in the middle. Her eyes are closed and she is wearing big, round sunglasses and a cigarette sticks out of her lips, pointing right. Her hands are carved directly under her face, and wrapped around to the front one above the other. The legs are also represented directly underneath as if she was sitting with her knees together. Under that carving, another one is shown, representing a young, freckled man with red hair. His eyes are also closed, tightly. He wears a blue suit with white shirt and red tie, hands touching one another at the front, and in a sitting kneel position, both knees touching at the front. The light looks natural and comes from the front-left of the image.

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Sins of Tonia (The)

The Sins of Tonia front cover. Over a blue and pink textured background, two women are shown. One, a blond in the foreground, is wearing a black lace brassiere and panties, with stockings and suspenders and a lace girdle. She stands at a three-quarter angle to the reader toward the left of the image and is removing a black negligee, which is over her head. She has a pearl necklace and looks straight forward toward the reader with her head slightly tilted to her right. In the background, a redhead is seen reclining on a bed or the ground, surrounded by cushions of many colours. Her head is tilted to her right and slightly bowed, and her eyes look straight at the blonde's legs. She is wearing a white negligee, her right hand on her hair, which is up in a bun behind her head. Her left arm is bent at the elbow and rests over a large, purple cushion. She is wearing earrings and bracelets on her left wrist. The scene is lit from the front and top. The image is surrounded by a white background.

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So strange a love

So Strange a Love front cover. The busts of two women take up most of the visual space. One of them, a redhead, is on the right of the image and in the foreground, in profile, facing left of the reader and looking toward the same direction. Her hair is up on a bun to the left of her head, and she looks forward with wide open, blue eyes, lips slightly parted. Her torso is naked, and she is wearing an earring. Beside her, on her right and facing the reader, stands a brunette, partially covered by the redhead. Her wavy, loose hair flips over her shoulders, and she is looking at the redhead with half-open eyes. Her torso, too, is naked. The background is purplish blue, and the scene is lit from the front-left.
'A strange story of a married couple, each enmeshed in an illicit affair with a younger woman, and the erotic love the two younger women found in one another.'

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Soft sin (The)

The Soft Sin front cover. Towards the bottom right of the image, a brunette faces the reader, visible from the chest up. Her hair is curly and apparently tied to the back in a pony tail, bangs across her forehead. She is wearing a long-sleeved white blouse, unbuttoned, revealing part of her breasts and her neck. She looks straight at the reader with half-closed eyes and lips slightly parted. Behind her is a pink couch facing the reader. On it lays a blonde with her back to the reader, head toward the left. Her hair seems to be in disarray. Her left arm hangs over the edge of the couch, hand rested on a black tiled floor, palm-up. She is wearing a light blue dress and a bracelet on her left wrist. The scene is lit from the front.

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Spare her heaven

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Split-level sin

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Spring fire

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Strange friends

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A Danish love story

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Strangest marriage (The)

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Third theme (The)

The Third Theme Cover. Three figures occupy most of the image below the top quarter of the cover. One, centered at the bottom, is a brunette with wavy hair down to her shoulders, seen from her chest up. Her chest faces the reader squarely, and is partially exposed, showing her cleavage above an off-shoulders, strapless dress represented by white brushstrokes on the background yellow. Her head and eyes are turned to her left, eyes half-closed and mouth open, as if saying something, whilst frowning. Behind her in the background stand two figures in profile, their bodies facing right of the reader and at either side of the brunette's head. To the right stands a blonde with short hair, clad in a greenish-gray pantsuit and a pink blouse. Her head is fully turned to her right, looking at the brunette with sunglasses on her face and her right hand in her pocket. Behind her, and left of the image stands a man in a gray suit and a black tie who also looks at the brunette with arms crossed. His hair is short and black. The image is lit from the right.
Sharon's affair with Leda allows her to work out her childhood traumas

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Third way (The)

The Third Way front cover. A blonde is shown in profile at the center of the image, sitting on the edge of a bed or arm-less couch. The right side of her body faces the reader. Her right knee is bent, foot hanging at the heel from the edge of the bed. She holds a light-blue towel against her naked body, hiding part of her breast, stomach and thigh. Her face is directed toward the reader, but her eyes look to her right, away from the reader. In the background, to the left of the image, stands a brunette with short hair, dressed in a tight, green dress with straps and a V-neck. The dress is knee-high and has a slit over her left thigh. She has her right hand on her hip and puffs from a cigarette held in her left hand, looking straight at the blonde, almost frowning. She is wearing high heels and earrings. The background only shows watery brushstrokes in green and yellow, and the scene is lit from the front left.

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This side of love

This Side of Love cover: The faces and a torso of two women are drawn in ink and coloured separately, one in pink, the other in light blue, and with the solid black of the background to depict the shadowed areas. In the foreground to the bottom right of the image, only a face is seen, lit with a hard light coming from the right. Her gaze is directed to her bottom right with a calm expression. The other figure can be seen behind her, to the left of the image, face in full profile towards the right, with her eyes closed. Her face and torso are also lit by hard light coming from the top right.

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